Motion & Movement in Music Videos: REDEFINE Panels at Bumbershoot, MusicfestNW 2012

Vivian Hua 華婷婷2 min readAugust 19, 2012Add comment
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REDEFINE magazine has teamed up with two of the West Coast’s largest festivals, Bumbershoot and MusicfestNW, to present Motion & Movement in Music Videos, a pair of complementary panels exploring how dance and movement intersect with modern music videos. Select music videos will be screened, followed by an open community dialogue with associated dancers, directors, and musicians. Topics covered may include differences in dance styles among different musical genres, trends of modern dance in contemporary music video, and spontaneity versus choreography in the creative process. A related brochure, featuring Q&A with directors and musicians, will be distributed with further information about the participants and videos screened.

 

Bumbershoot

Seattle
September 3rd, 2012
Leo K Theatre in Seattle Center
3:30pm – 4:40pm
FREE w/ Admission
(SCHED EVENT LINK + FACEBOOK EVENT LINK)

MusicfestNW

Portland
September 7th, 2012
Holocene
6:30pm – 8:00pm
FREE & Open to the public
(FACEBOOK EVENT)

Panelists

HONEY OWENS
BUMBERSHOOT + MUSICFESTNW
Vocalist/Producer, The Miracles Club – “The Wheel” (Music Video Premier)

RYAN BOYLE
BUMBERSHOOT + MUSICFESTNW
Dancer/Choreographer, The Miracles Club – “The Wheel” (Music Video Premier)

SEAN PECKNOLD
MUSICFESTNW
Director, Here We Go Magic – “How Do I Know”

ELY (EUGENE LEE YANG)
BUMBERSHOOT
Director, Polica – “Wandering Star”

AMY O’NEAL
BUMBERSHOOT
Choreographer, Reggie Watts – “F_ck Sh_t Stack”

ANDREW SLOAN
MUSICFESTNW
Director, Onuinu – “Ice Palace”

 

Director and musician Q&As after the jump!

 

Dance-Related Interviews and Q&As

tUnE-yArDs – “Bizness” Music Video (Q&A w/ Director Mimi Cave)

Polica – “Wandering Star” (Q&A w/ Director ELY)

Onuinu – “Ice Palace” Music Video (Q&A w/ Director Andrew Sloan & Choreographer Jin Camou)

The Mast – “UpUpUp” Music Video (Q&A w/ Band)

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Vivian Hua 華婷婷

Vivian Hua 華婷婷 is a writer, filmmaker, and organizer. As the Executive Director of Northwest Film Forum in Seattle and Editor-in-Chief of the interdisciplinary arts publication, REDEFINE, much of her work unifies her metaphysical interests with her belief that art can positively transform the self and society. She regularly shares human-centered stories through her storytelling newsletter, RAMBLIN’ WITH VEE! In 2020, she will [hopefully] begin production on a comedic Asian-American series entitled Reckless Spirits.

Ask Vivian about MARSHMALLOWS, cuz she's gross... and being tips for being frugal while nomading!

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Early on in @WhatWeLeftUnfinished, a new documentary from filmmaker and visual artist Mariam Ghani @mostlywindows -- a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion. It’s the sort of scene one might expect from a Tom Cruise movie — but in fact, this sequence is from Agent, a 1991 Afghan propaganda film. What We Left Unfinished resurrects five unfinished films, Agent included, to tell the gripping tale of Afghanistan’s turbulent political history from 1979-98. Amidst the tumult of that period’s successive coups, revolutions, and invasions, a cadre of filmmakers and actors forged strong relationships and lasting bodies of work. Ghani’s film thrums with genuine affection for these artists, who characterize their films as documentaries, love stories, or tales of redemption, but never mere agitprop. Yet despite an obvious love for its subjects, What We Left Unfinished is ripe with contradiction and paradox, often blurring the lines between fiction, fact, and memory.⠀ ⠀ Ghani expresses the hope that her subjects’ harrowing stories would inspire both empathy and self-reflection. “What I wanted to make was something that’s not just for people interested in Afghanistan but for everyone who’s interested in these questions at the heart of filmmaking and at the heart of art-making,” she explains. “Questions like, ‘What would you do if you found yourself in this situation that these filmmakers found themselves in? What kind of bargains would you make, what kind of compromises would you make, what risks would you take?’ I think those are the questions really at the heart of the film.”⠀ ⠀ ///⠀ ⠀ READ OUR INTERVIEW WITH MARIAM GHANI - What We Left Unfinished Traces the Turbulent History of Afghanistan Through Media" by Alison Smith: https://bit.ly/redefineafghani⠀ ⠀ This film will be screening soon through @nwfilmforum ~⠀ ⠀ #NWFilm #PacificNWFilms #AfghanFilm #AfghanFilms #FilmReview #FilmReviews #AfghanHistory #AfghanPolitics #MariamGhani #WhatWeLeftUnfinished #Afghanistan #Afghan
Early on in @WhatWeLeftUnfinished, a new documentary from filmmaker and visual artist Mariam Ghani mostlywindows -- a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion. It’s the sort of scene one might expect from a Tom Cruise movie — but in fact, this sequence is from Agent, a 1991 Afghan propaganda film. What We Left Unfinished resurrects five unfinished films, Agent included, to tell the gripping tale of Afghanistan’s turbulent political history from 1979-98. Amidst the tumult of that period’s successive coups, revolutions, and invasions, a cadre of filmmakers and actors forged strong relationships and lasting bodies of work. Ghani’s film thrums with genuine affection for these artists, who characterize their films as documentaries, love stories, or tales of redemption, but never mere agitprop. Yet despite an obvious love for its subjects, What We Left Unfinished is ripe with contradiction and paradox, often blurring the lines between fiction, fact, and memory.⠀ ⠀ Ghani expresses the hope that her subjects’ harrowing stories would inspire both empathy and self-reflection. “What I wanted to make was something that’s not just for people interested in Afghanistan but for everyone who’s interested in these questions at the heart of filmmaking and at the heart of art-making,” she explains. “Questions like, ‘What would you do if you found yourself in this situation that these filmmakers found themselves in? What kind of bargains would you make, what kind of compromises would you make, what risks would you take?’ I think those are the questions really at the heart of the film.”⠀ ⠀ ///⠀ ⠀ READ OUR INTERVIEW WITH MARIAM GHANI - What We Left Unfinished Traces the Turbulent History of Afghanistan Through Media" by Alison Smith: https://bit.ly/redefineafghani⠀ ⠀ This film will be screening soon through @nwfilmforum ~⠀ ⠀ #NWFilm #PacificNWFilms #AfghanFilm #AfghanFilms #FilmReview #FilmReviews #AfghanHistory #AfghanPolitics #MariamGhani #WhatWeLeftUnfinished #Afghanistan #Afghan
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FUGETSU-DO by Kaia Rose, United States, 2021, Documentary ~ Seamlessly blending the multigenerational tale of a family-run confectionary store with the cruel history of Japanese internment within the United States, Fugetsu-Do celebrates the art of making mochi, with equal parts respect for the past and hope for the future. Read all short film recommendations from ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL: https://bit.ly/redefine2021aaiff ⠀⠀ ///⠀ ⠀⠀⠀⠀⠀ This short film is one of our TOP PICKS from the 44th Annual Asian American International Film Festival hosted by @AsianCinevision in NYC ~ See them all: https://bit.ly/redefine2021aaiff⠀ ⠀⠀⠀⠀ Proudly known as “The First Home to Asian American Cinema, the New York-based Asian American International Film Festival (AAIFF) entered its 44th year in 2021. Running from August 11 to 22, the festival was presented with a hybrid in-person and virtual model, which allowed for the many colors of Asian American and Pacific Islander voices to be elevated and seen across the country. Below is a quicklist of the best shorts of the festival, spanning a variety of identities, themes, and artistic styles.⠀ ⠀⠀⠀⠀⠀ #NWFF #NWFilmForum #NWFilms #NWFilmmakers #NWFilmmaker #NWFilm #PacificNWFilms #FilmEducation #FilmWorkshop #PacificNWFilmmaker #PacificNWFilmmakers #APIFilm #AAPIFilm #AAPIFilms #APIFilms #AAIFF #AsianAmericanFilm #AsianAmericanFilms #TransFilm #TransFilms #LGBTQFilm #LGBTQFilms #QueerCinema #QueerFilm #QueerFilm#LittleTokyo #LittleTokyoLA @_kaia.rose_ @fugetsudo @golittletokyo
Written by Vivian Hua 華婷婷
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