Following Junior Boys' world tour for their 2011 record, It's All True, Jeremy Greenspan was exhausted, burnt out, and questioning everything. Looking for something fresh and exciting to put his energy into -- and without the weight of baggage or expectations -- Greenspan and his creative burnout led him to...

Jessy Lanza Pull My Hair Back Hyperdub (2013)Jessy Lanza - Pull My Hair Back Album Review - HyperdubIn the future, androids will cruise lounges looking to score with flesh-and-blood humans. When the couples will go back to their climate-and-dust-controlled apartments and begin pairing, the soundtrack that will start auto-playing in the background is Jessy Lanza's Pull My Hair Back. Like the Barry White of the cyber-generation, Lanza spins out smooth, sultry soul. Yet unlike White, whose deep voice anchored his music, Lanza's breathy, whispery soprano blends into the background, becoming another instrument in a silky sonic sheet you want to roll around in naked until the sun comes up. Befitting an album that will serve as the soundtrack to futuristic human/machine boogie nights, there doesn't seem to be an actual organic instrument on the album. Instead, the synthesizer and drum machine reign, and they manufacture a surprisingly warm and sultry soundscape — think Tangerine Dream all sexed up. At once spare yet lush, this is electropop with a brain — and a soul.
Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography + 6 Deluxe Packaging + 10 Fashion, Sculpture, Installation _____________________________    91 Album Covers For 2011 Best Of 2011 Album Cover Art

"Eery. Melancholic."
Dum Dum Girls - Only In Dreams
Art director Jeff Kleinsmith and photographer Shawn Brackbill capture the shadowy residue of an out-of-body experience.
QUOTES FROM: JEFF KLEINSMITH, ART DIRECTOR THEMES & CONCEPTS "Dee Dee from the band... had a very specific idea in mind, but I feel like it isn't my place to speak for her on this." CREATIVE PROCESS "There is a phenomenon called astral projection or astral travel which is the idea that there are two bodies - an astral body and a physical body, and there are some who believe that the astral body can travel outside of the physical one. There are some pretty famous photos depicting the astral body leaving the physical body, and Dee Dee wanted to make her own version with herself as the subject. Again, she would know better than I what this particular imagery means to her. Well, I LOVE the image. It is one of the most interesting images I've worked with in a long time. That's not exactly some high-minded insight, but it's how I feel about the image. Dee Dee never told me if it has personal meaning to her. I know she was going through some things, so it's possible that the image is directly related to that." THE EXTRAS "Tthe only thing to mention is the silver foil stamp on the front and back and maybe the old-style packaging. I'm referring to when LPs were first made, they were actually raw cardboard which was cover by a thin printed paper skin -- as opposed to printing directly on the cardboard. Most modern packaging is done this way, and this piece was done in the old style. Also, there is a 22" x 22" foldout poster inside along with a snazzy CD dust sleeve." Record Label Sub Pop Records The Artists Art Direction & Design - Dee Dee & Jeff Kleinsmith Photography - Shawn Brackbill Mediums & Materials Photography, Postcard, Computers

Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography + 6 Deluxe Packaging + 10 Fashion,...

When it comes to the very basic language and musical form of Junior Boys' fourth full-length release, It's All True, there is very little obscurity. Clearly, it is an album that only contains words from the English language. Clearly, the music is fairly customary for indie electronic musicians of the Western world. However, a deeper look at the album actually reveals that the songs speak in many different tongues. Whether it is the striking contrast of upbeat electronic music and dark lyrics, which each tell conflicting stories, or the worldly expeditions that were necessary to complete the songs, It's All True turns out to be somewhat of an affirmation of a universal language. Not only did the making of the album cross cultural barriers, but it also explores themes such as, honesty, deceit and authenticity, which have been questioned repeatedly by people over time and around the world in varying ways.

"Selling art doesn't bother me. Making insipid, vacuous art bothers me. The cult of personality bothers me especially because I feel as though I have very little to offer. I'm a bad self-promoter, and I'm constantly reminded of how bad a trait that is for an artist to have. I think that it is sad and frustrating." -- Jeremy Greenspan, of Junior Boys

Conflicting Stories

Though songwriter and vocalist Jeremy Greenspan technically started Junior Boys in 1999 with now former band member Johnny Dark, most people know Junior Boys as Greenspan and engineer Matt Didemus, who entered the picture in 2002. For almost 10 years, Greenspan and Didemus have shown the world that they can make fun tunes with punchy electronics that make listeners want to dance. It's All True is no different. The first – and most immediate – story the album paints is light and upbeat, typical of a dance record. Like opening track "Itchy Fingers," the songs are sultry, enticing, and full of bright keys and wiggling tones. [caption align="alignright" width="215" caption="BUY: F FOR FAKE + IT'S ALL TRUE"]
Artistic Influence:
Orson Welles

F For Fake is loosely a documentary which focuses on Elmyr de Hory's recounting of his career as a professional art forger.

It's All True features three stories about Latin America. 'Bonito the Bull', retitled 'My Friend Bonito', was about a Mexican boy's friendship with a bull; 'The Story of Samba' was centered around Brazil's 1942 Carnaval; 'Four Men On A Raft' was a reenactment of a Time Magazine article about four impoverished Brazilian fisherman who traveled 61 days and 1,650 miles in harsh weather and without navigation instruments.[/caption]

Watch pasty, emaciated characters doing ambiguous things lethargically and fall into a drug-induced haze! Perfectly fitting for the slowcore music of Timber Timbre. Sprinkle in some Eraserhead vibes, and this is one cryptically engaging creeper. Directed by Kate Young & Eriver Hijano...

For The Acorn's latest album, No Ghost, band member Howard Tsui was enlisted to create the album artwork. The chosen cover piece, entitled Spectral Residue, is thematically appropriate, and showcases Tsui's knack to draw influence from the supernatural. To quote Tsui's artist statement about the series: "Abstract shapes and gestural brushstrokes are...

In a lot of ways, I was beginning to feel like videos similar to this have been done a lot this past year -- at least, until the chocolate sauce and wrestling came out and things started to get ugly in this video. Add in some intense and memorable facial...

Portland artist, Mia Nolting, has been invited to participate in an artist residency at Halo Halo screen printing studio in Toronto, Canada. To celebrate the change of season, and raise funds to support Mia’s participation in this residency, ms.ms. will be hosting a seance-inspired event at the Together Gallery (togethergallery.com), this...

Seriously. What is with the indie music world's obsession with cats this year? I'll bite however, as this is the most stupidly awesome video I've seen all year. ...