A series of informal Zoom conversations about how artists and arts administrators are learning to grapple with public art, social practice, and performance in the context of digital space and real-life limitations. This second installment features a conversation with Betsey Brock of On the Boards and artist Rachel Kessler about...
Photography by Naomi Ishisaka "But those are the most narrow parameters!" balks my well-meaning white friend. We are on our way to On The Boards to see dancer and choreographer Dani Tirrell's latest ensemble piece, Black Bois, and unrelatedly, I have just been articulating my latest dating quandary. As a first-generation Chinese-American...
Backwoods folk music plays quietly as visitors enter The Mistake Room, and they find themselves in the midst of a manufactured landscape. Pathways demarcated by rubber tires lead towards a simple architectural structure, and TV sets are strewn about the terrain, running loops of silent video clips. One set focuses...
According to Death Play writer and performer Lisa Dring, grief, in its most violent throes, can be so consuming that one who is experiencing it can hardly feel anything at all. Dring would know. Having lost her estranged father, beloved mother, and half-understood Japanese grandmother by the wee age of 25,...
Self-referential yet self-governing in the best of ways, the music video for Pantha Du Prince's "The Winter Hymn", directed by the musician Hendrik Weber himself, culls together years of video footage to offer a look into his recent collaboration Scott Mou, aka Queens, and Bendik Kjeldsberg of the Bell Laboratory....
Photography by Claire FinucaneWe are said to dream on any given night, even if we fail to remember its contents. For the inaugural performances of Arya Davachi's immersive theatre piece, Rough Sleeper, a woman polls us before we enter the venue. Did we sleep well last night? Did we dream?...
"My work is all about shifting from the literal to the lyrical, and it's actually a brain shift from one hemisphere to the other." - Anna Homler, on Breadwoman and performance art...
Devastation Melody opens with a striking sequence. Dressed fairly androgynously in dark-colored linens, Lucy Yim recalls a Chinese railroad worker — an image made all the stronger as she slowly uses rope to pull nine cinderblocks towards her. After assembling them into a massive Pangea, she mounts their seemingly solid...
"I certainly have patterns and systems that I use, and I have a cache in my mind of certain shapes that follow other shapes -- but I'm totally working intuitively. I'm trying really hard to let my brain not get involved." - Julie Alpert...
Jax Deluca and Kyle Marler of Flatsitter discovered one another years ago on an Amtrak train, in what one might call an act of divine timing, or a perfect illustration of the "right place, right time" adage. What emerged from this meeting is a male-female powerhouse duo, who use an...