JJJJJerome Ellis speaks with a stutter. He asked that his stutters be included in the transcription of this interview as a gesture towards others who speak dysfluently, so that they might see...
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Vee Hua 華婷婷By the time I enter the spacious warehouse in Red Hook, Brooklyn, Danish-Kenyan movement artist Phyllis Akinyi has already begun her performance. I hear her before I see her. A repeating loop plays overhead, with an off-kilter rhythm and the...
Rana SanA heavy cut of fresh meat hangs suspended over the abdomen, the artist’s own body bare against the blue cold of a wall. Her abrupt movements cause ripples in the flesh of the meat. From where the viewer sits, the female body, nearly...
A series of informal Zoom conversations about how artists and arts administrators are learning to grapple with public art, social practice, and performance in the context of digital space and real-life limitations. This second installment features a...
Photography by Naomi Ishisaka “But those are the most narrow parameters!” balks my well-meaning white friend. We are on our way to On The Boards to see dancer and choreographer Dani Tirrell’s latest ensemble piece, Black Bois, and...
Backwoods folk music plays quietly as visitors enter The Mistake Room, and they find themselves in the midst of a manufactured landscape. Pathways demarcated by rubber tires lead towards a simple architectural structure, and TV sets are strewn about...
According to Death Play writer and performer Lisa Dring, grief, in its most violent throes, can be so consuming that one who is experiencing it can hardly feel anything at all. Dring would know. Having lost her estranged father, beloved mother, and...
Self-referential yet self-governing in the best of ways, the music video for Pantha Du Prince’s “The Winter Hymn”, directed by the musician Hendrik Weber himself, culls together years of video footage to offer a look into his...