Out of all the inventions to have contributed to the increasingly relevant history of electronic music, the TR-808 from Roland likely has the strongest legacy. From Brian Eno to Marvin Gaye to Kanye West, the unique sounds of the TR-808 have dominated the electronic-sonic vocabulary since its invention in 1980,...

Platform, the second full-length from San Francisco musician, producer, and conceptual artist Holly Herndon, tackles the many confusing, conflicted layers of modern living, in the form of a poppy, accessible dancefloor sound sculpture. ...

K-Pop pundits love to predict who's going to be the one star to stick in America, and with the impending debut of 2NE1's CL, these predictions have reached a fever pitch. These lists never seem to change much: Girls Generation, 2NE1, G-Dragon, CL, BIGBANG, and so forth. Problem is, half...

Not only did Italian producer Pietro Iannuzzi name Indian Wells after the Californian city that hosts the BNP Paribas Open (formerly known as the Indian Wells Masters), but the release date of his new album, Pause, was timed to match up with the first day of this year's tournament. This isn't the first time Iannuzzi has made such overt thematic connections with this project; tennis references were equally clear on Indian Wells' 2012 debut, Night Drops. For one, a picture of a tennis court at night was used as that album's cover image. For another, the first track on Night Drops was called "Wimbledon 1980", and is built on samples of the sound of tennis balls being whacked back and forth. Midway through the song, the sample's novelty diminishes as it becomes absorbed completely into the track. It might have been overkill if it hadn't worked so well.
Indian Wells - Pause Album Review

REDEFINE magazine and Holocene present their fifth annual SXSW 2015 Unofficial House Party at House of Commons, on Friday, March 20th, 2015, featuring Rome Fortune, Beacon, Yumi Zouma, Ellie Herring, Young Ejecta, J Fernandez, Doomsquad, Phedre, Grandparents, and Golden Spun. Audio-visual delights from Vision System and vVv Stardust....

Though the haunting voice of Portland songstress Sara Jackson-Holman already lends itself well to a song bearing the title “Haunt Me”, the remix by hometown hero Natasha Kmeto transforms all of the bright notes of the piano-heavy original into atmospheric grey skies. Pair that with a number of delightful frills-and-lace...