Vee Hua 華婷婷A series of informal Zoom conversations about how artists and arts administrators are learning to grapple with public art, social practice, and performance in the context of digital space and real-life limitations. This second installment features a...
Since the Dot-Com Boom of the 1990s, San Francisco, California, has left its hippie and counterculture roots behind to become the poster child for the affordability crisis. With that has come the slow exodus of its creative class, who, priced out...
Photography by Naomi Ishisaka “But those are the most narrow parameters!” balks my well-meaning white friend. We are on our way to On The Boards to see dancer and choreographer Dani Tirrell’s latest ensemble piece, Black Bois, and...
With Opposing Forces, Seattle choreographer Amy O'Neal, who is equally well-versed in hip-hop and contemporary dance, has coordinated a clever study of gender roles, by intimately exploring "femininity" through the eyes of five male breakdancers who...
Troy MicheauSeptember is my favorite month in the NW for two reasons: optional sweater weather and Decibel Festival. The value of the first should be self-evident to anyone who enjoys being comfortable and the second, well, that just so happens to be the topic...
Guest WritersThe annual Summit Block Party brings Seattle’s artistic community together; showcases local artists, musicians, and craft-makers; and promotes the acceptance of all races, sexual orientations, and socioeconomic classes. Summit Block Party is a free...
Seattle’s 11th annual Decibel Festival is quickly approaching, which means it’s time to start the agonizing process of picking and choosing amongst the myriad of showcases, Optical shows, After-Hours, conference workshops, and boat parties the...
Los Angeles-via-Portland’s STRFKR are a band people love to hate, but I like to give props where props are due. “While I’m Alive”, from the band’s latest album, Miracle Mile, may be my favorite song of theirs yet...