At this moment, your mind is receiving stimuli that defines the space around you. Infinite waves of molecular interactions are coursing through your body, separating isness from notness, being from perception, object from space; determining the contours of your physical and mental limits while daring you to shatter them. Space is your space, the loop from your mind to subject and back. There is room for much confusion here due to latency -- the time it takes to complete the loop -- but there is also room for exploration, for realization, and for creation. How we fill the space is up to us. The opportunity a wonderful gift which can be made even more powerful when we share it with other people -- when we bottle the loop so that others can trace its orbit. We do this through every creative act, and yet, some are more obvious than others. Architecture, for example, or sculpture, but what about words? What about music? There are sounds that define and create spaces that feel more real than those confirmed by visual or physical cues. These are the sounds that characterize the music of both Sun Araw, M. Geddes Gengras, and The Congos. All three artists are prone to constructing material hallucinations from sonic vibrations. And now, in 2012, we have Icon Give Thank, a record combining Sun Araw's desert acid zones with The Congos' Kingston temples into one heroic dose. Cameron Stallones of Sun Araw, Geddes Gengras, Ashanti Roy of The Congos, and director Tony Lowe all chime in on this interview, to offer a glimpse into the divergent cultural and creative worlds that intersected in the creation of a final record and short film product.

Sun Araw

"Crete" from Ancient Romans

M. Geddes Gengras

April 2012 Tour Set

The Congos

"Fisherman" From Heart Of The Congos

 

SPECTRAL HYPNOSIS A recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. Hitting the electronic-psych-rock tip today with two bands often loved and supported by REDEFINE -- Oakland's Lumerians and Seattle's Midday Veil -- as well as a Drag City release from the somewhat controversial Father Yod & The Source Family.

 

Lumerians

Oakland's Lumerians have an upcoming release from Permanent Records in the USA and Hands In The Dark Records in Europe Transmissions From Telos: Vol.IV, out on July 5th. According to Lumerians, the EP is one of "lost orphan songs, hand-picked from [a] overwhelmingly vast improvisation archive. The first in a series of radiation burnt offerings."

 

Pre-Order From Hands In The Dark (Starting May 29).

 

This post highlights some of our favorite multi-disciplinary arts events (centered mainly around music) coming up from like-minded co-conspirators in Seattle, Portland, and Los Angeles. More events for the next post, including two installments of REDEFINE's Intuitive Navigation in Seattle and Portland (see last year's HERE), and Seattle's ambient music festival Substrata.


Signify, Sanctify, Believe

Portland, Oregon Presented by Xhurch and Open Engagement Multiple days - FREE A traveling troupe of performance art semi-spiritualists, Sanctify, Signify, Believe, are now on the road to conduct a series of head-scratching events that will leave you wondering about your connection to the spiritual world and religion. The party kicks off May 15th @ 1:00pm at repurposed church venue Xhurch, with an open house and healing service that runs until 4:00pm. Other events taking course throughout the week, until May 20th, include plenty of lectures, performances, musical acts, and REDEFINE involvement in the form of Prince Rama-inspired Now Age tracts for the group's Library Of Sacred Technologies.

 

See complete list of Sanctify, Signify, Believe events

 

Part I: Now Age Manifesto And Q&A

TEXT BY THAD MCKRAKEN; Q&A BY VIVIAN HUA; MANIFESTO AND ANSWERS BY TARAKA LARSON The fundamental nature of time itself wasn't something I'd contemplated at great length until roughly a year ago. I think what turned it around for me was when I accidentally summoned what classic occultists would refer to as my Holy Guardian Angel. Out of nowhere in the summer of 2010, I started performing sigil projection exercises which seemed to be coming from somewhere else. I felt strangely and unconsciously compelled to envision myself in third person, as an external character wearing a sleek black suit. I was confronting my demonic persona -- the part of me that longed for frivolous shit like wealth and power -- or something to that effect. Who am I kidding, I had no fucking idea why I was doing this, but the further in I got, the more the scenarios played themselves out in my head; they had me shaking hands with the world's elite and proceeding to haunt their unconscious. To make a long story short, this version of myself that I'd been unwittingly focusing on actually showed up in my room one night. I will confess that I wasn't fully awake. I was in a hynagogic sleep state that a lot of mainstream psychologists would refer to as sleep paralysis. I taught myself how to do this by experimenting with astral projection years earlier; it fucked with my head forever. But it's what "I" told myself that's relevant here:
"We are the beings from the Sirius star system that were communicating with Robert Anton Wilson. We are the grey aliens. We are death. WE EXIST OUTSIDE OF TIME. That's why it's difficult for us to communicate with you."
They then projected a telepathic communiqué into the depths of my spirit. My reality became this video-like demonstration which oscillated between perspectives, drawing connections to something I'd also randomly started contemplating months prior – the Gnostic concept of the Holy Trinity:
  • The Father (or Holy Guardian Angel) – the me who is eternal and exists outside of time;
  • The Son – the me who exists inside what we refer to as human reality;
  • The Holy Spirit – the conjunctive tissue which binds us all into one coherent plotline; time itself, shown to me like a glowing orb which I existed inside of, though apart from my cosmic overmind persona (it/I watched from outside as if floating motionless in outer space).
Sounds completely nuts right? Well, it does until you realize you're one of about a billion people throughout history who have had this type of shit happen to them. Unfortunately, these topics are usually relegated to the easily disregarded world of "New Age" literature, ensuring that anyone who believes a half-man half-God walked the earth 2,000 years ago will laugh them off without a second thought. The term "New Age" has been so intentionally co-opted throughout the years by military and religious interests that even I hate it. Luckily, writer Daniel Pinchbeck has been trying to rebrand the neo-psychedelic evolution of these concepts as "Next Age." And here, we have the multi-talented Taraka Larson of Brooklyn's Prince Rama putting a much needed artier spin on ancient New Age ideas with The Now Age Manifesto. It's a work about the importance of intentionally transcending so called normal space-time perception and entering what Larson and English philosopher John G. Bennett refer to as Hyparxis, a hypertime dimension that has a timeless quality noticeable to human perception. In a way, these experiences and mind states kind of have to happen to you before you'll take any interest in them – but The Now Age Manifesto details concepts that will help you get there if you try. The entirety of Larson's manifesto can be viewed online at www.now-age.org.

The Now Age Manifesto: Introduction

The Now Age seeks to reconnect the current dislocation between time and space and resurrect the symbolic power of music by means of UTOPIA. NOW AGE = NO AGE Somewhere between Time and Eternity lies a dimension called Hyparxis**. Hyparxis is defined as an 'ableness-to-be'. It does not indicate a change in time, or a manifestation of eternity. Instead it refers to transformations in 'inner time'. Hyparxis combines what is actual with what is potential, thus creating a 'present moment' based on the internalized experience of external temporal events, past, present, or future. Thus, the Now Age refers to no age at all, but instead describes an elemental quality of being. UTOPIA = NO PLACE The word UTOPIA by definition signifies "NO PLACE". It is neither here nor there, of this world or transcendental to it. Its existence as a non-existence can be seen as a singularity, but within this "no place" exists an infinity of space. Thus an invisible "space between worlds" is created that acts as a medium between the real and the ideal environments. This aspiration for a space within a pre-existing place is vital for distinguishing the utopian impulse from the transcendental impulse; whereas transcendentalism seeks escape from the "real" world in exchange for an ideal one, utopia instead seeks a deeper connection with this world in the form of tapping into its inner potential, a REALIZATION of the REAL. It is here that the musical environment lives. Sound in and of itself is a tangible example of "no place". It is pure vibration, a shifting of air particles, and is thus (by sheer virtue of its nature) wholly meta-physical. **John G. Bennett, The Dramatic Universe

 

Netherlands-based photographer Jan Reurink can't get enough of Tibet, and captures Tibetan landscape and everyday life with a dedicated selfless passion. In our brief Q&A with Reurink below, he tells us about the rainbow plethora of reasons he keeps returning to the sacred land.
Tibet - Jan Reurink The prayer flags in this image are wind horses; they are called རླུང་རྟ་ -- or lungta. They serve as an allegory for the human soul, and now ritually used as a symbol of well-being and good fortune in Tibet. Tibet - Jan Reurink The mountain range of Mount Ti Se (གངས་ཏེ་སེའི་རི་རྒྱུད or gangs te se'i ri rgyud/ gangté serigyü). Also called the Kailash Mountain Range.

Xhurch, a repurposed church in North Portland, has decided to take last year's live reenactment of the Nativity one step out of the terrestrial and into a more cosmic direction, with this year's Alien Nativity. See full slideshow of last year's Nativity. Last year's Nativity had the usual characters -- Mary, Joseph,...

"Summer Of Love" is one of the most compelling tracks on Prince Rama's latest album, Trust Now, and this new music video feels revelatory, an Indian and Hare Krishna-inspired celebration of glitz and glamour. Crafted completely by Prince Rama and with the help of close friends, this video begins slowly...

I've oft wondered how radically different our music culture would be if say, venues were allowed to turn a profit from other drugs. Thanks to John Hopkins University, we're now for the first time since the '60s seeing studies which suggest psilocybin can be used for all kinds of freaky deaky shit -- like say, alleviating people's fear of death. I personally use them to peer into the intricate depths of the thousand-eyed hive mind, but to each their own. Am I the only one who's beyond weirded out by the fact that there's only one legal recreational drug? It's shamelessly pushed down our throats, and what does it do? It binds us here and keeps us stupid; that's what it does. It's called mind control my friends, pure and simple. You can drink booze! It's all over the fucking place. There are literally billions of potential recreational compounds which we could choose as the foundation for our cultural activities, and that's the one we get. You've got to stop thinking this makes any sense. I've always joked that if you want to get paid playing music, you should start a cover band. The reason is simple: the game's been rigged. Clubs make their money off booze and drunk people want to hear songs they already know and can sing along with. Hell, I do when I'm drunk. Timeless states of being are always within our reach through the use of psychoactive substances, meditation, breathing exercises, dream manipulation, and other natural methods -- but it's also nice to know that Midday Veil frontwoman Emily Pothast's fledgling record label, Translinguistic Other, is on the forefront of helping you achieve them with even greater ease through sonic invocation. I caught up with the prolific Miss Pothast (pronounced like “hottest") to discuss some of these topics, and some other stuff that happened to be going through my head when I drew up the questions. I was kind of drunk.

Q&A With Emily Pothast, Translinguistic Other Founder & Midday Veil Vocalist

I first became interested in Gnosticism when I was living in a part of Texas that is completely dominated by fundamentalist Christianity. I knew the dominant culture was fucked, but I didn’t feel like it was useful to be completely dismissive of the religious mythologies that held so much resonance for these people. I wanted to know where these ideas came from and to see if I could learn something about the patterns behind them. -- Emily Pothast, on mysticism