With Opposing Forces, Seattle choreographer Amy O'Neal, who is equally well-versed in hip-hop and contemporary dance, has coordinated a clever study of gender roles, by intimately exploring...
Read onDevastation Melody opens with a striking sequence. Dressed fairly androgynously in dark-colored linens, Lucy Yim recalls a Chinese railroad worker — an image made all the stronger as she slowly uses rope to pull nine cinderblocks towards her...
2014 was an amazing time for music, and this year, rather than asking the Gina Altamura and Van Pham of the interdisciplinary Portland venue and nightclub Holocene to list their favorite up-and-coming Portland musicians, we decided to give them the...
"Where we're at right now, it doesn't make sense for us to join a preexisting community or culture that has a set of rules or traditions. That can't happen for us, but we want that -- everyone wants that -- and with this project, we're creating our...
Try as I might, it was hard not to see every artistic choice that surrounded the first Portland appearance by Body/Head as a reaction to the divorce of Kim Gordon and Thurston Moore. There was the steadily unrolling video – directed by...
In a three-part performance full of bizarre gestures and circular wording, a Japanese theatre troupe examines office politics in an off-the-cuff way. Performed completely in Japanese, everything in Cheltfisch is translated via a series of projected...
Imagine the possibilities of world revolution – an upheaval of design, and distribution of resources lighting the path to global peace and (relative) happiness. The largesse of this task is daunting, and has throughout history been commandeered by a...
Tuesday’s late night TBA fare began with a bang at Washington High School with Terrifying Women. The ambiguously advertised event promised “a video, comedy, performance, live, streaming, extravaganza” featuring Sarah Johnson...