Mike Gallegos Artist Interview

Mike Gallegos may work for a family-owned trash company by day, but he is 100% artist by night. Armed with acrylics, canvasses, and paint markers, Gallegos’ work shows the influence of many things. But upon first glance, it is obvious that the art movements that resounded most with Gallegos are those of surrealism and pop art.

Gallegos also looks towards artists such as Berry McGee and Os Gemeos for inspiration. “They have inspired me the most through the work of their characters and being able to show exactly what they were thinking with each painting,” Gallegos explains.

The first time Gallegos saw graffiti in San Diego, he knew he was inspired to be an artist. The transformation came quickly. An interest in graffiti led to character experimentation and eventually resulted in canvas painting, as Gallegos does now.

“When I first started [producing] art, I was confused and not sure about what I was supposed to do or where I was supposed to go with it. My biggest ideas about art were to speak your mind and vandalize – which they still are – but I think you can speak your mind in a different way,” Gallegos reveals. “I think it will always change. That is the best thing about art; you can never stand still.”

Although Gallegos is trying his best to become a successful artist, he understands the difficulties involved. “There are so many talented artists out there, making it really hard to find your own originality – much less make a career out of it,” he admits. As an artist, music is of huge importance to Gallegos. “Really, without music, I wouldn’t be influenced to paint a picture,” he says. Music sets a mood and gives him a feeling, which he then represents visually.

That being said, Gallegos sees the parallels between difficulties between the music and art industries, as far as getting your work known. “I have a lot of friends who are into music, and that is what they are pursuing with their lives. I personally think that they are some of the most talented people I have heard, but it means little in the music industry. It’s who you know, not what you produce.”

Ah, the ultimate argument in this issue. By this point, so many ideas are recycled that it makes it difficult for any artist — no matter how talented — to find a unique voice and make it heard. All artists can do is believe in the work their doing and continue trucking, hoping that someday someone will be as inspired as they are.

END.

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/she) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. 2022 sees the release of their next short film, Reckless Spirits, which is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature film.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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