Laura Breitman’s Textile Art at UC Davis!

A few months ago, we stumbled across the layered textile works of Margot Lovinger and were blown away by the intricacies in her recreation of the human form using fabrics.

Now another artist with a similar technique but much more detailed subject matter has caught our eyes. A new solo show at the Richard L. Nelson Gallery of UC Davis features the mind-blowing works of Laura Breitman, who similarly collages patterns to create art pieces. The main differences? Breitman’s works are full-blown landscapes, lovingly and painstakingly recreated from photos taken by her husband, Michael Needleman. Also, Breitman uses not only sheer fabrics, but a combination of fabrics and papers, which bring added depth and texture. Her works are not as exacting; they combine the randomness of nature with the randomness of hand-crafted works to create pieces that are organic yet much more artistic than simple landscape drawings.


[Left] Looking Up; [Right] Looking Up Detail View

Breitman’s extraordinarily multi-layered and multi-patterned pieces range in size from 10″ x 10″ to 40″ x 40″. The exhibition will run for ten weeks, from September 25th, 2008 to December 7th, 2008.

The artist will also be holding a demonstration of her collaging process, live at the gallery on November 4th at 4:30pm. The demonstration, which is open to all members of the curious public, is guaranteed to be a learning experience.

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Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and artist who splits their time between Oaxaca, Mexico, and Seattle, Washington. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Editor-in-Chief of International Examiner, and an Environmental Justice reporter at South Seattle Emerald. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Their latest short film, Reckless Spirits (2022), is a metaphysical, multi-lingual POC buddy comedy; the feature film version is slated for production in 2026. In 2025, they premiere their documentary short film, Hunt's Trading Post, set just outside of the Navajo and Ute Nations.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!. They have a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota and are pursuing a certificate in Incidencias en Problemas Socioambientales at the Universidad del Medio Ambiente in Mexico.

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