Beyond Beyond Is Beyond is a record label that has become adept at curating artists for a very specific roster. These artists tend to not have the typical "Brooklyn" sound; what critics usually associate with Brooklyn tends be a trendy "indie" sound, BBiB eschews for...

29 September, 2016

Oftentimes, a complete change in sound and a long delay between full-length albums marks the death knell of a band, or at least a rebirth. After a long brainstorming session -- during which the band lost a guitarist, put out an EP without that guitarist, and gained another in time for the latest record -- Metavari has returned, and the Metavari you hear on Moonless is not the Metavari you heard six years ago, during the release of Be One of Us and Hear No Noise. This time around, the quartet from Fort Wayne, Indiana, seems to have found its niche in the instrumental world, eschewing the grand sonic explosions commonly associated with post-rock in favor of analog and electronic sounds and samples.
Metavari Press Photo
03 March, 2015

Jan St. Werner - Miscontinuum Album Review
Miscontinuum is a surreal, subjective sound opera; an abstract tone poem; a stream-of-consciousness dream monologue on the nature of time and memory.
"Every memory is just a loop. Returning again to places I once was, before, things are never as I remember them. Every home is also a burning house. Loop... and if one could draw this loop differently, then what? Different lengths? Four different lengths? Changes history's courses - places, people, and events; all of them never were. Could they be made anew with this loop? I doubt it. Is this really happening?" - Intro to Miscontinuum
Miscontinuum, from Mouse On Mars member Jan St. Werner, is the third installment in his Fiepblatter Catalogue series, was originally conceived as an operatic performance and radio play, with a very surreal, stream-of-consciousness libretti written by Oval's Marcus Popp, and recited, wonderfully, by Earth's Dylan Carlson, in his reedy voice. The text revolves around the misconceptions of time and memory, inspired by unique acoustic phenomena derived through digital phasing and musical time-stretching techniques, which is punctuated with St. Werner's tapestry of hypnotic electrical pulsing. Imagine, if you will, if Philip Glass had written an opera based on a text by Haruki Murakami, rather than illustrating Einstein standing on a beach; with Terry Riley on the keys, if it had been recorded thirty years later, and you're getting close to imagining Miscontinuum's minimalist electronics.

 

06 February, 2015

Album Covers of the Year 2014
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the spirit of the music. This feature, which is divided at times into thematic elements and at times into artistic medium, incorporates interviews with not only musicians, but also artists involved throughout the artistic process. We pride this list in being diverse and multi-faceted, as well as philosophically exploratory. See all of our entries from previous years or get started by choosing a category below. Happy travels through the artistic universe we've crafted for you.
17 December, 2014

"What appeals to me is the potency in the image -- the object itself, or the mysterious atmosphere it holds. A truly beautiful image has the power open up this whole inner world; it's like a visual "key" that unlocks and fires up your imagination."...

28 July, 2014
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