Art News & Features

Puddletown in Portland’s Compound Gallery

Vee Hua 華婷婷2 min readNovember 29, 2008Add comment

Living in the Pacific Northwest, one becomes used to rain and gloom, and after a while, it’s just a part of life and seasonal disorders seem nonexistent. Puddletown at Compound Gallery will feature artists’ takes on rain from Thursday, December 4th, 2008 (First Thursday) through December 24th, 2008. Here are some notable artists from this opening:

Robert Fayze Pellicer seems to combine equal parts surrealism, nature, and spirituality in his works, such as in this piece, entitled Food Web.

Timothy Karpinski must be the type who pays attention to details. Graphic, acrylic, and hand-sewn papers join forces in the elegant I Dream of the Forest.

Colors bleed, swirl, and transform to join forces with unpredictable shapes in Max Kauffman‘s The Block Is Hot.

Elliott Wall makes the simple female form intoxicatingly haunting and fascinating with ease, such as in this piece, Moth.

In the case of Eli Effenberger and this piece, Over The Rainbow, digital paints are just as good as the real thing.

Eatcho seems to prefer painting and drawing on recycled papers and wood panels, and for good reason. His illustrations and exceptional compositions exclusively hold their own, with no need for detailed backgrounds.

Sophie Franz will also be showing her illustrations and drawings at this group show.

Tagged ascompound gallery eatcho eli effenberger elliott wall max kauffman portland artists puddletown robert fayze pellicer robert pellicer sophie franz timothy karpinski

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Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and artist who splits their time between Oaxaca, Mexico, and Seattle, Washington. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Editor-in-Chief of International Examiner, and an Environmental Justice reporter at South Seattle Emerald. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Their latest short film, Reckless Spirits (2022), is a metaphysical, multi-lingual POC buddy comedy; the feature film version is slated for production in 2026. In 2025, they premiere their documentary short film, Hunt's Trading Post, set just outside of the Navajo and Ute Nations.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!. They have a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota and are pursuing a certificate in Incidencias en Problemas Socioambientales at the Universidad del Medio Ambiente in Mexico.

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