Pattern-Frenzy With Julia Rothman

Brooklyn artist Julia Rothman can pump out patterns for a good portion of her artistic career, and that is an amazing thought. With colors that pop, the patterns seem suitable for anything from wallpapers and wrapping papers to desktop backgrounds. And that might sound like a lot, but that list is actually pretty short-sighted; Rothman has an “applications” section on her website that shows her patterns in action, and the possibilities are very, very plentiful. The patterns are at times dizzying, yes, but in a great way that captures all moods, much like greeting cards might (and greeting cards actually do happen to be one of the million uses, of course).

 

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Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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Written by Vee Hua 華婷婷
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