the binary marketing show – clues from the past Album Review

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An experimental lo-fi project which falls somewhere between a backwoods campfire jam session and an electronic crapshoot in a dingy basement, the binary marketing show’s latest 6-track EP, clues from the past, is certainly a fascinating listen that will really, really appeal to a select demographic. Perhaps that demographic is you.

 

A collaboration between Abram Morphew, who “survived months in a dense forest battling heavy rain and unruly winds” and Bethany Carder, who, “awaking from a hypnotic state induced by a small band of mystics, experienced violent spasms, fits of percussive motion, and waves of electricity bursting from her limbs,” the duo’s description of itself also describes its music to a tee. By harnessing a world of energy, scrambling it up, and regurgitating it back out in deliberately mysterious ways, the duo really knows how to craft music that feels simplistic and moody — in a movie soundtrack sort of way — without being at all boring.

“the vanishing,” like its title, relies on distant vocals which disappear and reappear only to be scrambled by electronics. “nintendo” survives on a pulsing backbeat with almost comically dramatic touches of horns and synths, and “unwilling” clicks and clatters its way into atypically comfortable zones, and all of the songs combined give the EP an atmosphere of dark and playful wonder.

Listen to “nintendo” – DOWNLOAD MP3

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Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and artist who splits their time between Oaxaca, Mexico, and Seattle, Washington. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Editor-in-Chief of International Examiner, and an Environmental Justice reporter at South Seattle Emerald. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Their latest short film, Reckless Spirits (2022), is a metaphysical, multi-lingual POC buddy comedy; the feature film version is slated for production in 2026. In 2025, they premiere their documentary short film, Hunt's Trading Post, set just outside of the Navajo and Ute Nations.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!. They have a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota and are pursuing a certificate in Incidencias en Problemas Socioambientales at the Universidad del Medio Ambiente in Mexico.

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Written by Vee Hua 華婷婷

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