Catharsis — the expression and venting of powerfully felt emotions thru intense artistic practice — is the fundamental principle of great drama, and the focus of Giek_1's EP, Escape. The titular escape resonates on many levels: the artist's past escapism thru the use of hard...

It's that time of year again: the time where I remind everyone just how rapidly consciousness has been evolving in such an amazingly short period of time. The good news there is that the entire point to technology is to serve art. We'll figure it...

No one seems to be able to stop talking about Kendrick Lamar this year, and while we are no different from the rest in that regard, we've naturally made the effort, as usual, to put together an Albums of the Year list that is typically...

French producer Xavier Thomas, aka Debruit, returns with Outside The Line, an intersection of coldwave, African rhythms, and early ‘80s electro and hip-hop. A deep breath, and then it begins....

Album Covers of the Year 2014
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the spirit of the music. This feature, which is divided at times into thematic elements and at times into artistic medium, incorporates interviews with not only musicians, but also artists involved throughout the artistic process. We pride this list in being diverse and multi-faceted, as well as philosophically exploratory. See all of our entries from previous years or get started by choosing a category below. Happy travels through the artistic universe we've crafted for you.

SVN SNS RCRDS stands for Seven Sons Records; we're a small independent music label from Paris, France, founded in 2010 by David Gamelin and myself, Alex Poveda. A couple years ago, Thibault Signourel, Editor for the French webzine Hartzine, joined us in the adventure. Originally...

Every year, we interview a number of musicians and artists about the intimate details and philosophical underpinnings of their album cover artwork. It's an ever-massive undertaking, but we make sure to include every genre, from doom metal to disco, minimal electronic to mainstream pop, with the intention of highlighting the best visual art, regardless of why or who created it. You can see entries from previous years here, and browse 2013's entries by either scrolling down or selecting a category below. > Narrative & Mythological Album Covers > Photographic Album Covers > Illustrative Album Covers > Mixed Media & Collage-Based Album Covers

Francis Harris - You Can Always Leave EP Album ReviewFrancis Harris You Can Always Leave Scissor & Thread (2013) Listening to the two tracks on the A Side of Francis Harris' new EP had me Googling the difference between deep house and dub techno, as I was unsure where to place it. If you keep up with the various microtrends of electronic music, you will probably understand what a vast range that spans. If not, then think of dub techno as listening to a rave in the belly of a Soviet submarine at 5,000 leagues, as opposed to the mechanical soul of deep house, which might sound like a wind-up jazz band. Boomkat, the Rosetta Stone of electronic music, also referred to A1 "You Can Always Leave" as trip-hop, with its chill vocals and distant trumpets -- and I can go along with it, although Gry Bagøien's singing is more Bjork/Karin Andersson (The Knife/Fever Ray) than Beth Gibbons (Portishead), making the album opener an interesting new kind of electrojazz. You can still hear strains of the dub, deep in the mix, lapping like dark waves, and preventing this from being an ADD-addled, genre-hopping exercise. "You Can Always Leave" is destined to score some desolate dancefloor at 3:30, or perhaps the drive home after, as the sun comes up.

"Pop music shouldn't always get a bad rap," says Top Pops!, a recurring selection of indie pop highlights across a selection of styles, updated every month to keep you on your wiggly toes. This month, Gardens & Villa and Dum Dum Girls return, Howard Ivans of GAYNGS and The Rosebuds goes solo, and JMSN, Starlight Girls and The Slims show that they really, really know how to do their own thing.
+++ FULL POST + ALL TOP POPS! COLUMNS + ALL MUSIC COLUMNS Gardens & Villa - Bullet TrainPhotography by Neil Favila

Gardens & Villa - "Bullet Train"

Returning with the introductory single from their February 2014 Secretly Canadian release, Dunes, Southern California's Gardens & Villa seem to be on a brand new tip of exploring death and life in the fast lane. Californian at heart and name-dropping Los Angeles and The Bay Area like rapstars, "Bullet Train" dishes out Prince-like funkiness and manages to one-up the band's previous use of falsetto-laden vocals and flute-playing majesty. My favorite track from the record, "Bullet Train" is just one quick glimpse into an album full of reflections on being and becoming.