You Can Always Leave
Scissor & Thread
Listening to the two tracks on the A Side of Francis Harris' new EP had me Googling the difference between deep house and dub techno, as I was unsure where to place it. If you keep up with the various microtrends of electronic music, you will probably understand what a vast range that spans. If not, then think of dub techno as listening to a rave in the belly of a Soviet submarine at 5,000 leagues, as opposed to the mechanical soul of deep house, which might sound like a wind-up jazz band.
Boomkat, the Rosetta Stone of electronic music, also referred to A1 "You Can Always Leave" as trip-hop, with its chill vocals and distant trumpets -- and I can go along with it, although Gry Bagøien's singing is more Bjork/Karin Andersson (The Knife/Fever Ray) than Beth Gibbons (Portishead), making the album opener an interesting new kind of electrojazz. You can still hear strains of the dub, deep in the mix, lapping like dark waves, and preventing this from being an ADD-addled, genre-hopping exercise. "You Can Always Leave" is destined to score some desolate dancefloor at 3:30, or perhaps the drive home after, as the sun comes up.