Vee Hua 華婷婷"Samson and Delilah is a story about strength and weakness. It's about the pendulum between the two. The story for me conjured up the idea of empowerment and fragility. When Samson was deceived by his love and was in the wilderness discovering and...
Elizabeth PerryAs soon as you hear the crisp, resonant guitar plucking that begins No One‘s opening track, “Charisma”, you know you’re in for an eclectic mix of influences and sounds. As Tezeo’s self-titled LP continues, bass-heavy dance beats, excitable synths...
Ghost & Goblin, the macabre-music-making, lo-fi loving, NYC-based team of Nicholas DiMichele and Spencer Synwolt have created SUPERHORRORCASTLELAND, an album filled with noises that go bump in the night -- like fuzzed-out angry electric guitars...
The incantatory nature of improvised music will not appeal to everybody. It's for a specialized sect, those that like to be surprised. It's the spirit of adventure that sends you off on random and unknown holidays, waiting to see what lies beyond...
"Pop music shouldn't always get a bad rap," says Top Pops!, a recurring selection of indie pop highlights across a selection of styles, updated every month to keep you funkeh. June's installment features a couple morbid songs from CocoRosie, dancey...
Releasing an album means recording, mixing, mastering, and sharing a piece of yourself through music -- and the way all that happens can be unbelievably revealing. In Broken Deer's experimental, ghostly, and cassette-recorded fifth release...
“Pop music shouldn’t always get a bad rap,” says Top Pops!, a recurring selection of pop music highlights across a selection of styles, updated throughout every month to bring you the best of the funk. +++ FULL POST + TOP POPS...
Reach for the stars true believers, or to quote Seattle’s THEESatisfaction: “Let the musicians, be your physicians.”
![Sweetheart Deal @SweetheartDealMovie, a cinéma vérité-style documentary from local filmmaker Elisa Levine @ElisaLevine99, follows the trajectories of four sex workers on Aurora, and eschews feverish commentary in favor of unvarnished truths...
Sweetheart Deal‘s four subjects — Krista (formerly Amy), Kristine, Sara, and Tammy — brim with wry humor and startling honesty about “being dopesick” and “turning tricks.” In the decade or so of filming between 2011 and 2021, they splinter off then reconnect, make amends and give apologies, all while being pulled relentlessly back into Aurora’s undertow. Each cycles in and out of Elliott’s RV, gradually shifting from casual acquaintances to close friends.
“Everybody who’s out there on Aurora: you don’t know what their background is,” says Levine, who felt it was important to highlight the disparate backgrounds of these women, but also their solidarity and similarity. “They could come from a family of millionaires or they could come from a life of poverty. Once you get out there, [with] the intensity of what you have to deal with every day, just trying to survive there — everybody’s on an equal playing field. Nobody cares where anybody else came from. So that was something that was surprising and interesting and sad. Even people who came from a better-off background and had more opportunities to go into rehab more times and things like that over the years — they still very often fall back into the addiction.”
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READ THE INTERVIEW
w/ Director Elisa Levine
by Alison J. Smith @alison.j.smith:
https://bit.ly/redefinesweetheart
Initially viewed at @SIFFnews
#SeattleFilm #REDEFINEmagazine #REDEFINEmag #FilmReview #FilmReviews #SeattleFilms #SeattleFilmmaker #SeattleFilmmakers #FilmJournalism #DirectorInterview #ElisaLevine #SweetheartDeal #AuroraAve #AuroraAvenue #Streetwise #DocumentaryFilm #DocumentaryFilms #GabrielMiller #CinemaVerite #Highway99](https://scontent-iad3-1.cdninstagram.com/v/t51.29350-15/280151906_381199520608193_6699221920708279913_n.webp?stp=dst-jpg&_nc_cat=104&ccb=1-7&_nc_sid=8ae9d6&_nc_ohc=UlcSfTGFzYkAX8RSfcs&_nc_ht=scontent-iad3-1.cdninstagram.com&edm=AL-3X8kEAAAA&oh=00_AT-TU6l9xFrLWRnfmiNqnCpMDvxIlxKOJFly58AdRIhE7Q&oe=62C6A31F)
