Works That Disturb, At Alphonse Berber Gallery.

Works That Disturb is an exhibition that continues through March 27th, 2010 at the Alphonse Berber in Berkeley, California. It certainly features some disturbing, wonderful things.


Annie McKnight‘s Untitled features bracelets made of… taxidermied mice.

Kim Ye‘s living sculptures connect artist and model, work and world in a collaborative act of animation. Crafted of silk, nylon, latex, wire and wood, Ye’s costume-like constructions appear in two incarnations during the exhibition. At the opening reception, live models step into the sculptures and confront spectators as artifacts from a post-human game of Pygmalion and Galatea. Afterward, like so many snake-skins, the works are displayed without their human centers – a metamorphosis that leaves them “unpeopled” and alterior. Like Yves Klein’s anthropometries or the plaster ghosts of Pompeii’s last inhabitants, Ye’s constructions effect an anthropomorphic apophasis; they invoke the human body only to affirm its impermanence.” – Alphonse Berber Press Release

Other works include Angie Crabtree‘s Crucified Comfort, which shows Jesus with um, his penis out, and photographs on death and dying.

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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