Like a shiny unicorn of the indie pop world, Connan Mockasin is the type of musician who has earned himself a number of adjectives and associations, often whimsical and colorful in nature. His 2011 record, Forever Dolphin Love, set the precedent for this; it was full of unconventional words, strange voices, and fictional characters, giving one the impression that he is one who floats off early and often into the ether, with one foot grounded in this world and one in another. As a result, media and press often generalize Connan Mockasin to be an "oddball" -- an assertion that he finds "kind of a bit weak", for he doesn't in fact feel odd... With his latest 2013 full-length, Caramel, Connan Mockasin's music has taken in soulful influences to become a fair degree more grounded and accessible -- but it seems that he still has trouble shaking the character judgments heaped upon him. Caramel is conventional compared to Forever Dolphin Love, but it remains fairly unconventional in the world of indie soul and R&B, full of moments that might be difficult to relate to from outside perspectives. But talk to Connan Mockasin for any length of time, and one learns very quickly that his motivations and attitudes towards music-making -- and life, in general -- are actually much, much simpler than most would predict. The bulk of his decisions are based upon impulses rather than deep considerations, and flowing from moment to moment without preconceived expectations or concerns for consequence is his general mode of operation. Indeed, it is one that very few people can relate to -- which is perhaps why it is so very "odd" -- but to understand this is to understand the essence of Connan Mockasin's creative genius.
13 February, 2014