With Opposing Forces, Seattle choreographer Amy O'Neal, who is equally well-versed in hip-hop and contemporary dance, has coordinated a clever study of gender roles, by intimately exploring "femininity" through the eyes of five male breakdancers who...
It wasn’t until the age of 22 that New York artist Matthew Craven enrolled in art school. Being untrained for years allowed him to create an artistic world of his own — and when Craven thinks back to his childhood, the message is clear. Like the...
It’s tempting to think of SXSW Eco as the weird hippie brother of the massive music-film-interactive-free-vodka-was-that-Bill-Murray-and-RZA? festival. In reality, SXSW Eco is South By Southwest’s chic sister, just back from Les Ateliers and looking...
Devastation Melody opens with a striking sequence. Dressed fairly androgynously in dark-colored linens, Lucy Yim recalls a Chinese railroad worker — an image made all the stronger as she slowly uses rope to pull nine cinderblocks towards her...
"I certainly have patterns and systems that I use, and I have a cache in my mind of certain shapes that follow other shapes -- but I'm totally working intuitively. I'm trying really hard to let my brain not get involved." - Julie Alpert
Jax Deluca and Kyle Marler of Flatsitter discovered one another years ago on an Amtrak train, in what one might call an act of divine timing, or a perfect illustration of the “right place, right time” adage. What emerged from this...
“Language is the quintessential blueprint that can bridge between the senses. The more I attempt to describe music in visual terms, and the visual in musical terms, the more I’m training toward synesthesia. It’s not an ability that I naturally have...
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the...
