The genius of Fuck Buttons has always been the duo’s ability to put sounds on loop — of creating and finding the nuances of that loop, while at the same time redlining the amplifiers into a moving wall of distortion. So when Benjamin...
Sometimes it’s tough to review albums just based on the merit of their tracks alone. The mind often wanders to the live venue — to how much fun it was that time you saw that band play that one song live. Every subsequent time the song...
1970’s Yé-yé punk pop? An old genre’s new sub-genre? Even in this, the heyday of music categorizing snobbery that seems to delight fans, bloggers, and YouTube commenters round the globe, The Better Letters aren’t that easy to...
In the back of your mind, there exists a type of music that you’ve always wanted to hear but never seem able to peg down. You want it to be X and Y while still remaining Z. Every person has this formula, whether he admits it or not, for the...
During my first listen to this record, I hated it. It seemed whiney, and the tape hiss and overall crunchiness overshadowed the melodies. The songs were like musical vitamins, so concentrated my body couldn’t absorb them. But after a few more...
It is a good sign that this teaser EP, The Sound Of Ghosts, only makes me want to hear more tracks from Brown Bird. All four tracks share a similar essence and so I can easily associate them as all being the products of the same musicians. Still...
It is a toss-up between “Inaudible Song II,” and its predecessor, “Billy Bird,” when it comes time to recommend my favorite song from the optimistically-titled Only Good Thoughts Can Stay by Jared Mees And The Grown Children...
On Feathersongs For Factory Girls, Part Two, San Francisco’s Stripmall Architecture create a sonic space that is a bit disorienting. Rebecca Coseboom’s vocals swirl like a cloud of smoke while electro beats, violins, and cello induce...