"We spent ten days crossing a thousand nautical miles. It was the first time we have properly been to sea in the open ocean. It was so remote that we wouldn't see another ship or plane for days, and yet, every time we trawled, we...
For the sixth year in a row, we present to you a rundown of the best CMJ Music Marathon shows to scamper to across town, with a wide selection that includes pop, hardcore, electronic, soul, and indie acts, including Shigeto, Briana Marela, Empress Of, Lushes,...
SIFF 2015 (Seattle International Film Festival) really shows off its vitality as the longest film festival in North America this year. Operating a host of its own theatres this year, from the SIFF Cinema Uptown and SIFF Cinema to the newly acquired SIFF Egyptian, SIFF...
If the neon landscapes of Tron were to intersect with the real world and become fully infused with the spirit of modern electronic music, the output might look something like the 3-dimensional portals created by Australian artist, Sam Songailo. A transformer of gallery walls and public spaces into hypercolored explosions of pattern, Songailo first began exhibiting as a 2-dimensional painter in 2006. He discovered then that the canvasses he worked on, with all of their hard edges and limitations, were hardly sufficient to contain the complex circuit board-like pathways he painted. He soon found himself experimenting with the spaces beyond the canvas, first by painting on walls and then by exploring the whole of the 3-dimensional spaces he was exhibiting in.
"I decided I wanted to make my work inescapable and ever-present," Songailo explains. "Instead of having to mentally project into the picture plane, visitors to the show would be inside the painting. There would be an experience for them to have and then leave."
This column is a part of our Geometric Spaces series, which explores artistic transformations of 3-dimensional space.
Digital Wasteland, 2014 - Photography by Emily Taylor
February 2014 brings Phantogram back into the indie dance spotlight with their latest record on Republic Records, Voices; here, we present the first three tracks of the record in succession, to show off its shiniest points.
Phantogram - "Nothing But Trouble"
The album's first song is well-chosen as a delicate intro. Voices will surely put Phantogram on the map officially, and “Nothing but Trouble” will appease the masses.
Iceland Airwaves started back in 1999 in an airport hangar outside of Reykjavik. Since then, it has grown into one of Europe's premiere music festivals, showcasing the insane amounts of musical talent coming from the land of few people and many sheep. Each year, the festival curates some of the best up-and-coming international talent to supplement the Icelandic artists, and introduces a ton of off-venue shows. The total schedule is 10 pages long, and the whole festival turns Reykjavik into a musical paradise for five nights. It is all incredibly overwhelming, so let's break it down into two parts to try and help you out:
The Icelandic Musicians
For a Minor Reflection
The International Musicians
Anna von Hausswolff (Sweden)
Electric Eye (Norway)
Fucked Up (Canada)
Jagwar Ma (Australia)
Kithkin (United States)
Royal Canoe (Canada)
Stealing Sheep (United Kingdom)
Yo La Tengo (United States)
The Icelandic Musicians
For a country of under 350,000 people, Icelanders sure love their music, enough so that just about everyone and anyone forms a band -- or two. The Iceland Airwaves Festival showcases this proud musical tradition perfectly, and many of the Icelandic bands hop on board in support, sometimes playing over five times throughout the festival. Iceland isn't all Sigur Ros, Bjork and Of Monsters and Men. There is a lot of fantastic music coming from the island, and here are some bands to check out, many of which we have covered in the past.
(Those who would like a more intimate understanding of the country's musical climate are encouraged to read our essay, The Real Icelandic Music Scene: Interviews, which include excusive mixtape downloads and Icelandic musician interviews, or explore all of our articles related to Iceland).
Gamla Bíó - Saturday @ 22:00
Amiina are well-known for recording and touring with Sigur Rós; any of those strings you hear underneath Jonsi’s howl: that is Amiina. The band combines a contemporary classical style with a minimalist’s touch, ambient littered throughout.
Harpa Kaldalón - Friday @ 23:20
Daníel Bjarnason is an Icelandic composer of the highest caliber, who has had works commissioned and debuted by the Los Angeles Philharmonic. His pieces are emotive, complex and riveting. That should be no different in a live scenario.
CMJ Music Marathon 2013 is the time of year when one runs through the streets of the Lower East Side, hopeful that you will be able to get into a jam-packed venue to see your favorite band -- or maybe discover a band that you haven't heard of will become your favorite band. It's also the time of year for those of us who are not 25 or under try (in vain) to re-live our wild partying years, and for those of us that are 25 and under to stay up until 4 AM partying with the band that is sleeping on our couch.
CMJ 2013 is one of the last of the big festivals of the season, so make the most of this indie music feast for the senses! Here are some of our picks for bands to put on your "must see" list:
Father John Misty
Saturday October 19, 2013 10:00pm - 11:00pm @ Music Hall of Williamsburg (66 North 6th St. Brooklyn, NY 11249)
Having recently seen Father John Misty at Newport Folk Fest, I can guarantee this will be a good time. Otherwise known as J. Tillman, he released his debut album under the Father John Misty moniker in 2012. He plays a blend of indie folk and alt-country that is alluring to even the staunchest anti-country music fan, especially those that are into the recent trend of the classic rock throwback. - Judy Nelson
Wednesday October 16, 2013 9:45pm - 10:15pm @ Tammany Hall (152 Orchard St. New York, NY 10002)Thursday October 17, 2013 8:45pm - 9:15pm @ The Delancey (168 Delancey St. New York, NY 10002)
A unique indie take on soul and R&B mixed with electronica, Shy Girls were just covered in our Top Pops! section here. The Portland based project of Dan Vidmar has amassed a ton of media attention West Coast, and will attempt to do the same here in NY during CMJ. - Judy Nelson
The Portland International Film Festival (PIFF) is upon us again, and we have whittled down their list of 100+ international shorts and full-length films to summarize the most interesting, socially-conscious, and boundary-pushing of the bunch.
This year's festival runs from February 7th through the 23rd, beginning with an Opening Night celebration featuring Blancanieves, a silent Spanish reworking of Snow White. Purchase tickets and find out more.
Our festival preview begins below with this year's top five picks, followed by the rest in alphabetical order.
Beyond The Hills
Directed by Cristian Mungiu (Romania)
Based on the novels of Tatiana Niculescu Bran, which are real-life documents of demonic possession, Beyond The Hills is a bleak and stark religious drama set an Orthodox monastery in Moldovia. Though Alina (Cirstina Flutur) heads to the monastery to convince her friend Voichita (Cosmina Stratan) to leave and return to Germany, Alina finds herself sucked more and more into the environment and its callings. Flutur and Stratan both shared the Best Actress Prize at Cannes Film Festival for these performances.
Sat, Feb 9, 2013 at 8:30 PM (Whitsell Auditorium)
Wed, Feb 13, 2013 at 7:30 PM (Regal Lloyd Center 4)
Directed by Margarethe von Trotta (Germany)
Based on the life of German philosopher and writer Hannah Arendt, Hannah Arendt chronicles her writings for The New Yorker on the 1961 war crimes trial of Adolf Eichmann. Eichmann covered a scenario that was not black and white but veiled in greys, causing great conflict and protest amongst an American public and the publication's editing staff. Hannah Arendt is a drama about journalism, and the social duty of reporting as one sees as truthful, rather than as it is idealized or pressured to be.
Sat, Feb 16, 2013 at 8:45 PM (Whitsell Auditorium)
Mon, Feb 18, 2013 at 5:15 PM (Regal Lloyd Center 4)
Directed by Xavier Dolan (Canada)
Despite being happy and in love, high school teacher Laurence finally reveals to his girlfriend Fred his long-standing desire to become a woman. Fred agrees to support him on his quest, though once the transformations begin, social complications begin to pressure, ostracize, and place fear into the hearts of the couple. Through it all, Laurence Anyways is a tale of love and the ability to weather storms for it.
Sat, Feb 16, 2013 at 8 PM (Cinema 21)
Wed, Feb 20, 2013 at 7 PM (Regal Lloyd Center 10)
Directed by Lucien Castaing-Taylor, Véréna Paravel (United States)
Leviathan presents experimental filmmaking at its finest or its worst, depending on your opinion of macro-view, immersive documentary art. The New York Film Festival describes Leviathan as "a hallucinatory sensory experience quite unlike any other", and the trailer is seems to assert this with views of commercial fishing, as presented with only abstract sounds and imagery.
Sat, Feb 9, 2013 at 3:15 PM (Whitsell Auditorium)
Wed, Feb 13, 2013 at 6 PM (Cinemagic)
Directed by Cate Shortland (Australia)
After World War II and the death of Adolf Hitler, five young children are left to fend for themselves when their Nazi SS parents are captured. In an attempt to reach their grandparents in Hamburg, they traverse 500 miles of changing landscapes, meeting unfortunate families along the way and finding a savior in a young Jewish man whose kindness goes against all of their programmed teachings.
Sun, Feb 10, 2013 at 7:30 PM (Whitsell Auditorium)
Mon, Feb 11, 2013 at 5:45 PM (Regal Lloyd Center 10)
Remix City sifts through mountains of remix trash so you don't have to, in an attempt to find those that contribute something original to their originals. Australian psych-rockers Tame Impala get some love from labelmate Canyons, and German producer Wankelmut creates the weirdest dance track out of a folk song by Asaf Avidan & The Mojos.
In the same way that Thee Oh Sees can work their mastery of garage rock over the unassuming masses and make it look ridiculously simple, Tame Impala can twork it out '60s-style in the indie rock arena, like laid-back experts drowsily saying, "We've got this, dudes." Canyons' Wooly Mammoth remix-interpretation of Tame Impala's "Elephant" pays homage to the modern beast's ancient ancestor and taps along like tesselated rows of the hairy beasts, propelling a rhythm forward with their marching bodies. Todd Rungren's remix spaces things out a bit by weaving sound experiments into important points of the track. See and hear more about Tame Impala's upcoming release, Lonerism, on Modular Recordings. The music video for the original can be seen after the jump.
Tame Impala - "Elephant" (Canyons' Wooly Mammoth Remix)Tame Impala - "Elephant" (Todd Rundgren Remix)
Sifting through mountains of remix trash so you don't have to, in an attempt to find the ones that contribute to their originals. Today's installment goes industrial! Einstürzende Neubauten's Alexander Hacke works his magic on San Francisco's Tussle, U.K. post-industrial outfit Factory Floor turn Australia's My Disco into a hardly recognizable form, and the post ends with a throwback to the brutality of Einstürzende Neubauten themselves, as remixed by Adrian Sherwood.
San Francisco's groovy electronic act Tussle will be releasing their fourth album, Tempest, on September 25th via Smalltown Supersound! "Eye Context" is the first single from the album, now followed by a remix of "Yume No Mori" by Einstürzende Neubauten's Alexander Hacke, who did a fantastic job working far out electronics in with brutal percussion and funky basslines.