Jason SimpsonIn reviews for Kikagaku Moyo’s House in the Tall Grass, some have implied that the Japanese psych folk up-and-comers are simply rehashing old ground. Consider a sentence from Danny Riley of The Quietus, who writes, “The problem comes...
Though such a struggle may have only existed in some people’s minds, if there was one between digital and analog music recording and creation, there’s no question that digital came out on top without ever even having to dig a trench...
You can’t go home again, as the old saying goes — similar in sentiment to, “You can’t step in the same river twice.” Life is constantly flowing, shifting, changing shape. Sure, you can go to the building where you were...
Vee Hua 華婷婷"What's interesting is that in this video, there's the obvious strength of Rob holding Lorely. And that's a feat to be recognised, as an average guy probably couldn't hold somebody like that for long. However, what's not recognised is the strength...
When listening to so much post-rave, R&B-indebted bass music, one can’t help but detect a certain critical distance. It’s like they can’t get the power and force of the gravel landslide sub-bass and jerking, jittering trap...
José González's music has always maintained a timeless quality. In the realm of contemporary folk, there is no competition for his soothing yet soulful tones and melodic, plucking guitar. On Vestiges & Claws, the first solo album he's released in 7...
Oftentimes, a complete change in sound and a long delay between full-length albums marks the death knell of a band, or at least a rebirth. After a long brainstorming session -- during which the band lost a guitarist, put out an EP without that...
Though the haunting voice of Portland songstress Sara Jackson-Holman already lends itself well to a song bearing the title “Haunt Me”, the remix by hometown hero Natasha Kmeto transforms all of the bright notes of the piano-heavy original into...