Vee Hua 華婷婷Two months following the tragic and unexpected passing of independent filmmaker Lynn Shelton — known for such films as Sword of Trust (2019), Laggies (2014), and Humpday (2009) — Duplass Brothers Productions and Seattle’s Northwest...
Hannah Piper BurnsWelcome to Virgo season. It’s a time of transition, fraught with the frisson of both inevitable endings and fresh beginnings. There’s a pervasive undercurrent of things needing to be done. Virgo’s symbol, the maiden, is quite possibly one of the...
In the cinematic music video for “Wine,” Canadian Chinese singer Carson Cheng — also known as KICCC (pronounced “kick”) — emerges from hot ashes like a phoenix and finds himself face-to-face with a white wolf in the woods. The dramatic result of a...
Some artists are prolific, churning out project after project at a speed that leaves onlookers wondering about their superhuman pace. Some have a much slower process — painstaking in intricate detail — and Eric Beltz is one of the latter...
Douglas MillerStrangers, Marissa Nadler’s second record for Brooklyn-based Scared Bones and seventh overall, mixes elements both familiar and unfamiliar to create an uneven, but often rewarding listen. As with the best of her prior work, the songs that hit...
Another year has come and gone for the Seattle International Film Festival, and this year, our top selections include a lot of black comedies and films that capture the power of human emotion, in all of its positive and negative facets. Here are...
At the start of The High Sun, Jelena (Tihana Lazovic) and Ivan (Goran Markovic) sunbathe at a lakeshore, playing instruments and wrestling flirtatiously in the sunshine. The unfettered young couple seems like it has no worries in the world —...
Photography by Claire Finucane We are said to dream on any given night, even if we fail to remember its contents. For the inaugural performances of Arya Davachi’s immersive theatre piece, Rough Sleeper, a woman polls us before we enter the...