Try as I might, it was hard not to see every artistic choice that surrounded the first Portland appearance by Body/Head as a reaction to the divorce of Kim Gordon and Thurston Moore. There was the steadily unrolling video – directed by...
Devon Welsh isn’t just looking for applause at the end of a Majical Cloudz song. He’ll gladly accept it, nod his head a few times, and give the audience a hint of a smile, but for Welsh, the Majical Cloudz live set is about much more...
Defined by Merriam-Webster as, “The attainment of prominence, respectability, recognition, or maturity,” “coming-of-age” is widely considered a point in every young person’s life when they walk the precarious edge...
Stemming from a road trip director AJ Rojas took that spanned over a dozen states, the music video for Portugal. The Man‘s “Modern Jesus” is purposely treated to alternate between hi-def and lo-fi, as is paralleling the fascination...
Michael Noer is a gritty realist, concerned with the unstoppable inertia of the city. Crossing back and forth between documentary and fiction, Noer sees no line between the constructed plots of his films and the real-life social fissures in Danish...
Due the unfortunate fact that we are merely human and Seattle International Film Festival (SIFF) is just beginning its three-week film rampage, we’ve sifted through the Festival’s gigantic catalog to come up with the best films of the...
I am a Man with a St Tropez Tan Just A Ghost Hangman Ho Records In a world where much of the music we come into contact with is homogenized corporate mulch that lacks any discernible human input, those artists who offers us personal and intimate...
Many people in the United States will say that post-rock has played itself out — but to just go ahead and label things as straight up post-rock is really the more played out aspect of the criticism, for what exactly makes post-rock? Generally...