Though it may be poor form, I'm going to start this review with my one unrelenting frustration with Martin Gore's new solo album MG: every song is just too damn short. Seriously, these tracks are incredible, and they just beg you to get lost in them, but every time I...

K-Pop pundits love to predict who's going to be the one star to stick in America, and with the impending debut of 2NE1's CL, these predictions have reached a fever pitch. These lists never seem to change much: Girls Generation, 2NE1, G-Dragon, CL, BIGBANG, and so forth. Problem is, half...

Not only did Italian producer Pietro Iannuzzi name Indian Wells after the Californian city that hosts the BNP Paribas Open (formerly known as the Indian Wells Masters), but the release date of his new album, Pause, was timed to match up with the first day of this year's tournament. This isn't the first time Iannuzzi has made such overt thematic connections with this project; tennis references were equally clear on Indian Wells' 2012 debut, Night Drops. For one, a picture of a tennis court at night was used as that album's cover image. For another, the first track on Night Drops was called "Wimbledon 1980", and is built on samples of the sound of tennis balls being whacked back and forth. Midway through the song, the sample's novelty diminishes as it becomes absorbed completely into the track. It might have been overkill if it hadn't worked so well.
Indian Wells - Pause Album Review
Oftentimes, a complete change in sound and a long delay between full-length albums marks the death knell of a band, or at least a rebirth. After a long brainstorming session -- during which the band lost a guitarist, put out an EP without that guitarist, and gained another in time for the latest record -- Metavari has returned, and the Metavari you hear on Moonless is not the Metavari you heard six years ago, during the release of Be One of Us and Hear No Noise. This time around, the quartet from Fort Wayne, Indiana, seems to have found its niche in the instrumental world, eschewing the grand sonic explosions commonly associated with post-rock in favor of analog and electronic sounds and samples.
Metavari Press Photo