In its third year, Culture Collide Festival will be welcoming 63 artists from 25 countries to Los Angeles in the span of four days. Other than SXSW, there are very few festivals that consciously provide such an international scope of the indie music scene. And considering how common it is for international bands to come across visa issues, Culture Collide takes on an admirable task in the name of global harmony. The nice thing about the festival is that most artists schedule more than one show during those four days. So while you may stick to the big names for one night, you'll have plenty of opportunities to take a chance on a few unknowns that hail from a country across the globe. SEE ALL 14 FESTIVAL PICKS

of Montreal (USA)

Saturday, October 6 - 12:00am @ The Echoplex Sunday, October 7th - 8:00pm @ The Main Stage It's pretty impossible to not have fun at an of Montreal show. This group is kooky with a whirlwind of pop, psychedelia, electro, and glam. And with six members, it's always a party on stage. There will probably be some costumes too, so just embrace it, don't ask questions. of Montreal have recently have recently released Daughter of Cloud, a compilation of 17 of Montreal recordings from the time of their Hissing Fauna, Are You the Destroyer? era to the present. The track "Hindlopp Stat" from the album is below, along with the tripped-out music video for "Spiteful Intervention", from Paralytic Stalks.

 

Bonde do Rolê (Brazil)

Sunday, October 7 - 5:30pm @ The Main Stage Even if you don't understand Portuguese, Bonde do Rolê are so worth your time. Heavily hyped by Diplo, the trio is always out to start a sweaty dance party and is known for singing about having a crazy good time. The group features a female and male MC who roll quick lyrics over club beats that you'd hear in the US and a type of Brazilian dance music called funk carioca. Just remember, it gets pretty sweltering on the other side of the equator. SEE ALSO: Bonde Do Role + DIPLO + BRAZILIAN ARTISTS & MUSICIANS

 

What some of us might call the Pacific Northwest's best music festival -- and maybe the next and more relaxed SXSW -- is Musicfest NW, a multi-day spread across Portland's best venues. Featuring diverse and exceptional booking, we've split our coverage this year between indie staples, unconventional dance acts, and heavy riffers. Over the course of four days, we gush about everyone from Hot Snakes to The Helio Sequence, Mean Jeans to Omar Souleyman, John Maus to Pure Bathing Culture... and many more, including Swans, Beirut, and Chelsea Wolfe, to name a few. TEXT BY VIVIAN HUA & ERIK BURG; PHOTOGRAPHY BY LYMAY IWASAKI & NATHAN WATTERS SEE FULL FESTIVAL RECAP & PHOTO GALLERY
Wednesday, September 5th, 2012

Red Fang

When Red Fang’s beardy, Pabst-swilling selves took the stage at Roseland Theater, the crowd thundered with a hand-clapping, foot-stomping welcome as driving as the band’s opening notes. In a bill consisting of them, Hungry Ghost, and Hot Snakes, Red Fang were easily the crowd favorites of the night. They built off of the unintentionally playful sonics of Hungry Ghost by one-upping similar rhythms and stylistic shifts into much gnarlier and more interesting territory. With every seemingly mediocre or white bread songwriting move came the crust of a more delicious lick; their beastly instrumental slaughtering led to their carving out juicy hunks of musical turkey, next to what had previously been cold and bland deli meat. Red Fang have gained an extensive following locally and beyond in recent years, and the ease with which they toe the line between accessibility and unpredictable manipulation is one main reason. Even those who can’t stand their brand of rock can appreciate that they do what they do with a high caliber of professionalism and an impressive display of confidence. - VIVIAN HUA SEE ALSO: CHARITABLE MUSICIANS: RED FANG BENEFIT PORTLAND ARTS EDUCATION (W/ INTERVIEW)

 

Throughout the year FYF produces some of the best shows all around the LA area, but when it comes to Labor Day weekend, the FYF Fest is their indie rock prom. And since this year, they made it a two-day affair, you can consider it their homecoming dance too. Everyone dresses up in their best summer attire and afterward spends days talking about about it all. The festival's lineup is always impressive, but this year was really something to write home about, from beginning to end. So if you were fashionably late, you missed out on some great openers. And if you called it an early night, you can consider your weekend a failure for not watching some epic sets. While it seemed a bit subliminal to see two big screens on the ends of the main stage flashing text that said "best weekend of the summer," looking back, it actually was the best weekend of the summer.

 

WORDS BY KARLA HERNANDEZ; PHOTOS BY KOURY ANGELO THE CROWD AT REFUSED

 

Flying Lotus has just released a short film to promote his upcoming record, Until The Quiet Comes, and we feature it below, along with an oldie but equally goodie -- Shabazz Palaces' short film for their 2011 record, Black Up. See both videos after the jump.

 

Flying Lotus

Director Kahlil Joseph has put together a nearly 4-minute-long short film that begins with haunting images of violence upon urban youth. That destruction, though, soon turns into liberation via dance and resurrection, with three tracks from Flying Lotus -- "See Thru To U", "Hunger", and "Getting There", that feature Niki Randa and Erykah Badu -- providing a female-driven backdrop that hints towards the possibility of second chances and better decisions. Until The Quiet Comes will be released October 2nd in North America and October 1st elsewhere.

 

Shabazz Palaces

Shabazz Palaces' short film for 2011's Black Up is longer, at nearly five minutes, and a bit more spastic than the Flying Lotus promo. Its images, which duck out from the grit of New York City into expansive nature, are an excellent visual pairing for the music of Shabazz Palaces, which combines urbanity with organic instrumentation and African influences. It's no wonder that this film bears resemblance to the piece Kahlil Joseph did for Flying Lotus; he directed this one, also.

 

Bleep is a column focusing on varying degrees of electronic music news, videos and MP3s. For this week, I'm tired of some forerunning trends in glitched out electronica that often possesses, I feel, little to no human qualities! Instead, I will be focusing on electronically-minded musicians who build their work primarily off manipulations of analog sounds. Most recently, such individuals who have captured my heart have included Co La and Kone; now, a submission from the unknown Glass Boy and the epic Flying Lotus both fall under this same heading. This mixture of soulful passion with experimental electronics -- not just in an intentional sense on the part of the artist, but in an aural sense that translates to the listener -- is what's highlighted in this post. (That and a new Lindstrøm track!)
++ SEE ALL: BLEEP POSTS or MUSIC COLUMNS

 

Flying Lotus

Flying Lotus' latest, "See Thru To U", comes from his upcoming album, Until The Quiet Comes, which drops October 2nd. Erykah Badu is featured on the track, and the album sees other guest stars like Niki Randa, Thundercat, Laura Darlington, Niki Randa, and most famously Thom Yorke of Radiohead. With such a lineup and such a powerful track record, Until The Quiet Comes is pretty much guaranteed to be sick as all hell, with killer artwork to boot. After the jump, you can stream the first album single "See Thru To U", check out a full list of tour dates, learn more about the special versions of the vinyl, and hear his Adult Swim series single.

 

Multicultural Sounds travels the world for contemporary reinventions of cultural staples. Spain's Grammy-winning Ojos De Brujo tackle every genre under the sun in their remix album, and Montreal/Los Angeles by-way-of Iran's Niyaz talk humanitarian ideas on their latest, Sumud.

 

Ojos De Brujo

Barcelona's Ojos De Brujo (aka Eyes Of A Warlock/Sorceror in English), certainly know how to release a multicultural slaw of dub, electronica, tropical, ragga, everything, and more of everything. Antagonistic male rapping cuts into female vocals singing Spanish with a Middle Eastern warble and flair; dubstep takes over with stereotypical wobbles at times, only to fall into ragga beats; tropical rhythms and flamenco influences creep in until all things are indistinguishable and challenging. This is global dance music at some of its best, and it's a pleasing surprise Ojos De Brujo are a Grammy-winning act. At right, stream the equally Latin and Indian-influenced "Todo Tiende", remixed by Los Chicos Altos, and watch the animated music video of the original. See full post for a megamix of their entire remix album (which is well worth it to dive into!)
Ojos De Brujo - "Todo Tiende" (Original)

 

In the latest dubstep-inspired track by Brooklyn's The Mast, vocalist Haale Gafori took full directorial duties and turned scenes from her mind into a stark music video for public consumption. Covered with powder for a heightened ethereal effect, Los Angeles-based dancer Pandora Marie pop and locks her way in and out of Gafori's vocals, as monochrome simplicity eventually projects into full-color silhouettes that pulse in time with glitchy beats. In the brief Q&A below, Gafori describes the creative process for "UpUpUp" from start to finish, and you can expect to see this video in our upcoming Motion & Movement In Music Video panels for Bumbershoot and MusicfestNW.

 

 

SPECTRAL HYPNOSIS A recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body.

Nguzunguzu

On July 3rd, Los Angeles electronic duo Nguzunguzu released their debut record on Hippos In Tanks Records, their Warm Pulse EP. Below, you can choose to stream the first track "Smoke Alarm", or you can do yourself a bigger favor and listen to it in its tiny 5-track entirety via Red Bull Music Academy! No regrets and no waste of your time here. I might note that lovers of sci-fi might find small homages; "Drop Cage" is quite reminiscent of the X-Files theme song. NGUZUNGUZU - WARM PULSE EP TRACKLISTING 1. Warm Pulse 2. Delirium 3. Smoke Alarm 4. Drop Cage 5. No Longer NGUZUNGUZU SHOW DATES July 14th @ The Complex in Glendale, CA w/ oOoOO, ∆Aimon

 

Stream NGUZUNGUZU - Warm Pulse EP via Red Bull Music Academy

 

At this moment, your mind is receiving stimuli that defines the space around you. Infinite waves of molecular interactions are coursing through your body, separating isness from notness, being from perception, object from space; determining the contours of your physical and mental limits while daring you to shatter them. Space is your space, the loop from your mind to subject and back. There is room for much confusion here due to latency -- the time it takes to complete the loop -- but there is also room for exploration, for realization, and for creation. How we fill the space is up to us. The opportunity a wonderful gift which can be made even more powerful when we share it with other people -- when we bottle the loop so that others can trace its orbit. We do this through every creative act, and yet, some are more obvious than others. Architecture, for example, or sculpture, but what about words? What about music? There are sounds that define and create spaces that feel more real than those confirmed by visual or physical cues. These are the sounds that characterize the music of both Sun Araw, M. Geddes Gengras, and The Congos. All three artists are prone to constructing material hallucinations from sonic vibrations. And now, in 2012, we have Icon Give Thank, a record combining Sun Araw's desert acid zones with The Congos' Kingston temples into one heroic dose. Cameron Stallones of Sun Araw, Geddes Gengras, Ashanti Roy of The Congos, and director Tony Lowe all chime in on this interview, to offer a glimpse into the divergent cultural and creative worlds that intersected in the creation of a final record and short film product.

Sun Araw

"Crete" from Ancient Romans

M. Geddes Gengras

April 2012 Tour Set

The Congos

"Fisherman" From Heart Of The Congos

 

This post highlights some of our favorite multi-disciplinary arts events (centered mainly around music) coming up from like-minded co-conspirators in Seattle, Portland, and Los Angeles. More events for the next post, including two installments of REDEFINE's Intuitive Navigation in Seattle and Portland (see last year's HERE), and Seattle's ambient music festival Substrata.


Signify, Sanctify, Believe

Portland, Oregon Presented by Xhurch and Open Engagement Multiple days - FREE A traveling troupe of performance art semi-spiritualists, Sanctify, Signify, Believe, are now on the road to conduct a series of head-scratching events that will leave you wondering about your connection to the spiritual world and religion. The party kicks off May 15th @ 1:00pm at repurposed church venue Xhurch, with an open house and healing service that runs until 4:00pm. Other events taking course throughout the week, until May 20th, include plenty of lectures, performances, musical acts, and REDEFINE involvement in the form of Prince Rama-inspired Now Age tracts for the group's Library Of Sacred Technologies.

 

See complete list of Sanctify, Signify, Believe events