Eskimo Snow is an album full of what I would call “unseeming pop songs.” WHY? have managed to craft an album of songs that aren’t particularly graceful or classically poppy, but somehow, it works. A couple lines from this song or...
Joint video for “These Hands” and “January Twenty Something” off WHY?’s latest album, Eskimo Snow. To me, “These Hands” was just about a perfect intro to the disc, and I’m glad that its nostalgic tones...
Francesca Lee’s sound is so reminiscent of ’90s fem rock that it’s as if a transportation has taken place: I’m now 19-years-old, lying on the floor next to the speakers, probably crying over some faceless boyfriend. I can...
There is a lot to be said about Jack Conte, and the vast majority of it is at the tip of my tongue and going nowhere fast. For a five-song EP, Sleep in Color is absolutely packed with things to listen to. I have a hard time listening to it because I...
Upon first listen, it’s not surprising to see how John Vanderslice has achieved acclaim in the indie rock world. He has all necessary ingredients — a soft, sweet voice and well put together instrumentals — of a non-religious Sufjan...
"I don't believe in emulation. I think we have to create our own... I don't believe that we need to have someone to copy. I'd rather take influences in a productive manner and take it in our own direction." -- Jordan "Jordy" Topf
Scott Pinkmountain (formerly Scott Rosenberg) apparently used to be a somewhat hot-shit Bay Area avant-garde composer/free jazz saxophonist, but then decided that by immersing himself in that music, he’d forgotten the importance of good...