2014 was an amazing time for music, and this year, rather than asking the Gina Altamura and Van Pham of the interdisciplinary Portland venue and nightclub Holocene to list their favorite up-and...
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Vee Hua 華婷婷In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the...
Ian PaigeTBA Festival 2014 is upon us, and over the course of its two-week course, Portlanders will be graced with a number of audio-visual treats, eats, and experiments. This year's lineup seems less dance-heavy than usual, but brings with it perhaps the...
Kraftwerk's 1974 album, Autobahn, was inspired by the feeling of traveling freely along the open German motorways it was named after. Forty years later, a different driving journey serves as a guiding force behind Brian Reitzell's debut album, Auto...
Every year, we interview a number of musicians and artists for the intimate details and philosophical underpinnings of their album cover artwork. It’s an ever-massive undertaking, but we make sure to include ever genre, from doom metal to disco...
Out with the old, no matter how good it is! Here’s our comprehensive list of Top Albums of the Year 2013, schizophrenic as always to reflect the diverse tastes of our staff, though there is some overlap. It’s highly recommended you check out every...
Oneohtrix Point Never's Daniel Lopatin has risen from a sea of anonymous downloads and esoteric electronics albums on limited edition cassettes. Watching his artistic evolution has been like watching a microcosm of an entire world of psychedelic...
In this first installment of Music Art Trends, a column detailing stylistic commonalities across music media, we highlight electronic musicians Oneohtrix Point Never and Jimmy Edgar‘s respective collaborations with artists Takeshi Murata and...