When Nicholas Bohac left behind the Midwest to pursue his artistic career in one of the most expensive cities in the country -- San Francisco -- the decision must have been both wise, for the connections and experience, and terrifying, for the potential financial burden. But thanks to a sympathetic landlord and a supportive wife with more gainful employment, Bohac lives in the SF's Outer Richmond neighborhood, within blocks of Golden Gate Park, and has a studio space that he shares with his landlord, free of charge. The garage studio is hardly one to lounge about comfortably in, but considering the skyrocketing housing rates of the city and its general shortage of space, Bohac is one lucky man. Bohac is one of a small percentage of artists who has the rare luxury of working on art at his leisure. His leisure, however, is not one to be taken lightly; he estimates that he created 15-18 mid-sized pieces, 165 small pieces, and participating in eight shows in 2011. 2012, though, is a new year -- and with it, comes a new approach. He has taken the time thus far in 2012 to step back and reassess his work and his direction. He is learning to be more choosy and to expect more from his work, at the same time that he is reconstructing what he wants his outwards-facing image to be.
Upon first glance, Bohac's works are complex and psychedelic in nature, full of unnatural colors and shapes. But despite how obscured, manipulated and tweaked they might be, their very cores are centered around landscapes -- one interest that is deeply-rooted and enduring in Bohac's life. After all, it is landscapes which drew Bohac from the Midwest, where he had lived his entire life, to the West Coast. "I came out here to visit a friend who had moved out here... [and] I just was like, 'Whoa, there's a lot of stuff out here happening that I've never seen before,'" he recalls. "I'd seen mountains and I'd seen oceans, but I think everything just coalesced together in this area, and it makes these really interesting landscapes." To pay homage to his new surroundings, Bohac began with painstakingly rendered tempera paintings based off of photographs he had taken of the ocean. Ultimately, though, it was attending art school and taking in critiques from others that refined Bohac's style from mere imitation to reimaginings of everyday scenery.
"I think one of the best things anyone -- any instructor -- ever said of me was when I was making two or three of these collage paintings at once, and they were all at night and you could see the blue sky and the stars. He said, 'Why don't you make the sky this pink?' and that's all he had to say, and all of a sudden everything opened up a little bit more."

 

TV On The Radio explore virtual and blurred realities with their new video for "Will Do". The nostalgic jam incorporates Minority Report-esque technologies and throws on geometric and three-dimensional filters for a video -- and corresponding song -- that is equally nostalgic and futuristic. ...

If Hot Chip was meaning to pull the wool over our eyes with thisvideo, the first minute of it certainly does the trick. Autotune? Boy band stylings? I seriously had to reconsider whether or not this was the same Hot Chip I've known and loved....

All bands -- or at least the good ones -- have an album that, in future years, will be judged as the pinnacle of their successes. Some start out strong but never achieve much recognition with their first and second albums. Some build up to a grand finale but crumble right as their greatest album is released. Some are so consistent, with each new album being a fitting reinvention of their sound, that the debate will rage on for years as to which album defines their legacy. Such is the case with Portugal. The Man, whose fanbase is constantly at odds with itself over which album is the band's most important release to date. With their fourth disc, The Satanic Satanist, the debate continues to rage on. From its fantastically elaborate album packaging to its upgrade in record production quality, The Satanic Satanist marks a definitive, significant change in Portugal. The Man's career; it solidly extends the band's sphere of influence into pop, folk, and funk territories.
Listen to "People Say" - DOWNLOAD MP3