Oh, North Korea. The mechanics of filmmaking are lost upon you, are they not? You may have read about it -- which is why you probably attempted to control the script of Under The Sun and escorted the filmmakers to a number of pre-determined filming locations -- but what you...

At the start of The High Sun, Jelena (Tihana Lazovic) and Ivan (Goran Markovic) sunbathe at a lakeshore, playing instruments and wrestling flirtatiously in the sunshine. The unfettered young couple seems like it has no worries in the world -- and the last thing that one would expect is the...

As per usual, we here at REDEFINE have done the hard work of going through SIFF 2016 (Seattle International Film Festival)'s extensive three weeks of programming to bring you a carefully curated short-list of films you should actually go out and see. Additionally, this year's SIFF boasts some new and exciting...

All too often, apocalyptic films foretell the coming of the end in the form of big blowouts rather than a slow dismantling. In the overly-Hollywood 2012, buildings collapse and helicopters fall from the sky for no seemingly reason whatsoever. In War Of The Worlds and Independence Day, intergalactic monsters take...

SIFF 2015 (Seattle International Film Festival) really shows off its vitality as the longest film festival in North America this year. Operating a host of its own theatres this year, from the SIFF Cinema Uptown and SIFF Cinema to the newly acquired SIFF Egyptian, SIFF is going strong, and this...

"Dams don't just blend in as part of a landscape anymore. Knowing what I know now, it's impossible for me to look at dams in the same way as I did a few years ago -- or even rivers, for that matter. Dams and hydropower represent a pivotal part of...

Class Enemy Film Review
Nusa (Masa Derganc), every student's favorite teacher, goes on maternity leave and is replaced by Robert. Robert is everything that Nusa isn't -- a man who believes in rigid authority and an older style of teaching. A private meeting with a struggling Sabina (Dasa Cupevski) sends her out of Robert's office in tears, and it is the last memory her classmates have of her. Sabina later commits suicide, and the class, left struggling to comprehend their own emotions, squarely places the blame on Robert. Rok Bicek's debut feature-length film, Class Enemy, is an interesting exercise in grief, and Bicek undertakes the painstaking task of showcasing how it hits the cast of characters differently. Luka (Voranc Boh), who has just lost his mother, uses Sabina's death as a way to shield himself from his own pain. Mojca (Doroteja Nadrah), Sabina's best friend, blames Robert as a way to avoid the reality she had no idea her friend was in such a spot. Spela (Spela Novak), sees Sabina's death as a symbol of everything that is wrong with the school. As pressure starts to mount from his rebelling class, Robert has to wishstand even more from the school's administration, who feel that he is losing control of the people he doesn't really know in the first place.
Four Corners Film ReviewFour Corners Film
The narrative of Four Corners is equal parts Tsotsi and City of God, set in the sprawling South African ghetto of Cape Flats and following the people that struggle to survive it. At times, the dialogue is sparse and the acting is relatively wooden, but the overall message, and the despair of the situation, makes it an engaging film worth noting. Selected as the official South African submission for Best Foreign Language Film at the 86th Academy Awards, Four Corners missed out on a nomination, but remains a bold undertaking by director Ian Gabriel, who chose to tell the story in Sabela, the secret language of certain gangs in South Africa), Tsotsi taal and Afrikaans.

Four Corners Theatrical Trailer

Seattle International Film Festival (SIFF) 2014 is here, which means another few weeks of impressively-curated film-going madness for everyone in the Puget Sound Region. Below, we've once again given you our top selections for the year, grouped by world region. Stay tuned in the weeks to come, as we offer updates throughout the festival's progression, with general thumbs up and thumbs down summaries of the films we will painfully and enjoyably slog and float through, as well as one-off full-length reviews. Happy SIFFing!
There is an inherent danger with really diving full-force into a film festival that has a scope as large as the Seattle International Film Festival. Often, the movies are top notch, well-selected and well-curated, and fit perfectly within the framework of that section of the festival. Other times, after sitting through self-indulgent artsy dribble that someone, somewhere, found interesting enough to greenlight with millions of dollars, you realize sadly that two or more hours of your life will never return. Now that we're through SIFF 2013, we've decided to give the rundown of what we appreciate and what we will never need to watch again.

The African Cypher (South Africa)

Directed by Bryan Little * TOP PICK * Films like The African Cypher showcase what is so great about festivals like SIFF. This documentary takes a long, sweeping look at the different street dance styles across South Africa, where dancing isn't just something people to do for fun, but something people to do to live. Director Bryan Little takes a backseat and lets his story tell itself through captivating dance sequences and enlightening interviews, as his subjects go from the confines of their neighborhoods to compete with the best at the "Big Dance Competition". Although The African Cypher's run has already passed at SIFF, mark it down as a film to place on hold at the library in the near future -- if anything, for the jaw-dropping dance sequences Little captured forever on film. - Peter Woodburn