Hypnotic new tracks from Stellar OM Source's latest RVNG Intl release, Nite-Glo, plus a track premiere for "Big Metal" by Portland's HITS (featuring members of the now-defunct Explode Into Colors and !!!, who crafted their record at Andrea Zittel's A-Z West compound in Joshua Tree....

Spectral Hypnosis is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body.
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Factory Floor - "How Do You Say"

The music video for Factory Floor's "How Do You Say" is really nothing more than monotonous vocals, Nik Void's bouncing hair, and geometric projections upon an empty wall -- but this, in essence, is Factory Floor. Having just caught them on their national tour, I will say that this is techno for those who don't really feel the need to go anywhere over the course of a song or even a half-hour set, because when jogging in place looks and feels like this, it's somewhat enthralling enough. Directed by Factory Floor's Nik Void and Dan Tombs themselves. Releases are spread on two digital EPs and three physical 12 EPs, to be released throughout the month of April, featuring the original as well as a number of remixes; hear Daniel Avery and Helena Hauff's below.    

Spectral Hypnosis is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This time: favorite new electronic meanderings from Rival Consoles and Peter Broderick, the consistent and darkly charming universe of ERAAS, the POLIÇA / GAYNGS member side-project Marijuana Deathsquads, and more from Tati Ana and Applescal & Ryan Davis.
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Rival Consoles & Peter Broderick - "Soul"

Rival Consoles' synthy video game percolations meet with the expressive vocals of Portland's Peter Broderick on "Soul", a hypnotic adventure of a track. Taking the isolated vocal foundation from "Proposed Solution to the Mystery of the Soul" off Broderick's 2012 record, These Walls of Mine, this "remix" transforms the minimal, percussive ricochets of the original into its own busy, expressive undulations. Occupying a towering and dynamic sonic space, this track is one of my favorites of the year, and at once makes me want to hear more from Rival Consoles and Peter Broderick -- which is a rare feat for remix tracks, which often retain very little charm from their original inspirations. This track comes from the London producer's EP Odyssey, which you can stream below in its entirety. It is all good, and it's available now on Erased Tapes. Peter Broderick has also just reissued Float 2013, a lovely rework of his modern classical record from 2008, Float. Stream it here.

SPECTRAL HYPNOSIS is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This post highlights some reliable folks in the psychedelic rock community, including Portland's Eternal Tapestry and their Thrill Jockey labelmates Barn Owl, along with a new track from Woodsman.
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Eternal Tapestry

Eternal Tapestry's records are known for their epic instrumental ebbs and flows -- a sound that comes partly from their creative process. On their latest record, A World Out Of Time, Eternal Tapestry broke their usual mold of culling material from hours worth of jam sessions and instead recorded the album at once, in its entirety. The music video for their latest single, "Apocalypse Troll", was directed by guitarist Nick Bindeman and combines live video footage shot by Anton Long with vintage geometric and extreme sport (?!) imagery. Despite a duration of only 2:23, the abstract footage and the track's memorable leading guitar riffs propel it forward in a blissfully anthemic way. The remainder of the record wiggles itself all over the psychedelic rock universe like nobody but Eternal Tapestry's business. A World Out Of Time will be released November 13th via Thrill Jockey Records, and you can pre-order it HERE. The band has two upcoming Portland shows: tomorrow with Midday Veil at The East End in Portland, alongside Grapefruit and Hot Victory, and November 9th at 7:30pm, as a part of Thrill Jockey Records' 20th Anniversary Show. That insane lineup also includes locals like Golden Retriever, Mike Scheidt, and Jason Urick, as well as out-of-towners like Liturgy, Barn Owl, and Trans Am. See the full post for the A World Out Of Time tracklisting and to hear an edit of the notably more spastic track "When Gravity Falls".

 

SPECTRAL HYPNOSIS is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This post highlights the exciting new project from Tim Hecker & Daniel Lopatin and a track from Seattle's relatively unknown Stenskogen.
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Tim Hecker & Daniel Lopatin

Opening track "Instrumental Tourist" comes from Tim Hecker's collaboration with Daniel Lopatin of Oneohtrix Point Never for the ambient electronic collaboration of the year! It is the first project under SSTUDIOS (Software Studio Series), where Software Recording Co. will be inviting electronic musicians to collaborate with one another. In this case, most of the works were spontaneous creations with little forethought. Get ready to take a tour around, where analog and digital sounds are thrown into a confusing and inseparable mix. More details on the release in the full post, along with full tracklisting.

 

SPECTRAL HYPNOSIS A recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This installment is a particularly intense one, reserved for those who understand that noise can be a hypnotic mechanism. Here are intensely aggressive sounds from The Silent Moon, minimal techno from Silent Servant, and offerings and remixes from ERAAS.
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The Soft Moon

Somehow, Luis Vasquez of The Soft Moon (and Lumerians) can release tracks like "Die Life" and embrace gothic dance vibes without coming off as annoyingly trite. Zeroes, his latest album to be released via Captured Tracks, doesn't seem like the cheeriest of records, as it seems to not only wallow but actively embrace all things doom and apocalypse. You can also here "Insides" on Captured Tracks' Soundcloud. The press release gives a summary of the album's tracks as follows:
Zeros opens with "It Ends," a rumbling eerie epic that explodes and then fades. The slowing breath and pulse at the finish signify our break with reality as consciousness drifts deeper into Vasquez' world. Welcoming us into "Machines," a demon utters unclear incantations over snapping drums and flange-warped tones, while the titular song gives us a beat to dance to as a strange voice gushes lascivious "aahhhs" from a cloud of swirling synths. Songs like "Insides" and "Crush" feel utterly inward-looking-a loner's cry buried in soil and metal shavings-but "Remember the Future" bounces like a twisted John Carpenter score, and "Die Life" lashes out at everything within reach. Listen closely and you'll hear the sounds of the creatures and people that survived whatever catastrophe created this space: chirping insects, bawling whales, strained howls, jungle percussion, tribal chanting.
I've not heard the album in its entirety yet, but it comes out the day before Halloween, and if "Die Life" is any indicator, it will serve as the perfect soundtrack to that pagan holiday. Tracklisting and tour dates in the full post.