Jason Simpson"When I left school, there were three things I wanted to do before I die. Work for the BBC, work for myself doing the job I love, and record and release an album. Until December last year, I'd settled for two out of three. Now, it is with a deep...
Austra's two sold out shows in Berlin are expressive of the band's massive appeal in a city that thrives upon innovative music programming, anachronisms of the 1980s, and advocation for LGBT acceptance. Touring behind the sophomore album Olympia, an...
On The Window Wants The Bedroom, the debut full-length from Biosexual, the trio of prolific sound artist Zac Nelson, along with Michael RJ Saalman and Jocelyn Noir, it seems like Biosexual is more interested in reflecting the surreal state of modern...
On their inaugural flight, At Home, Keep Shelly in Athens rummage through three decades of electronic sounds – the '80s, 90s, and '00s. But what could have ended up as an awkward patchwork of unrelated genres is instead the refinement of the ore of...
In the future, androids will cruise lounges looking to score with flesh-and-blood humans. When the couples will go back to their climate-and-dust-controlled apartments and begin pairing, the soundtrack that will start auto-playing in the background...
Vee Hua 華婷婷Los Angeles-via-Portland’s STRFKR are a band people love to hate, but I like to give props where props are due. “While I’m Alive”, from the band’s latest album, Miracle Mile, may be my favorite song of theirs yet...
Ghost & Goblin, the macabre-music-making, lo-fi loving, NYC-based team of Nicholas DiMichele and Spencer Synwolt have created SUPERHORRORCASTLELAND, an album filled with noises that go bump in the night -- like fuzzed-out angry electric guitars...
“We do not want to please, we want to question the Knife.” – Olof Dreijer, in the manuscript for the group’s latest album, Shaking The Habitual. From the heavy-handed manuscript and bio written to accompany their first album...