Larger-Than-Life Sculpted Forms Make Their Way To The Platform Gallery!

Sometimes I’ll come across artwork online that makes me gasp aloud because it’s simply so well-executed — but most of all, shockingly unexpected.

The above sculptures by Pacific Northwest native Scott Fife, now on display at the Platform Gallery, elicited just such a reaction from me. Given the show’s name, American Beauty, Fife’s work is just about the last thing I would have expected.

Part of the appeal of the sculptures is that they are reminiscent to me of drawings set on a bed of watercolor, only come to three-dimensional life. It makes sense, when one takes into account Fife’s painting abilities as well (evident in the T. Rx (study) in the image above, to the left of the sculpture). Take their size into account as well — with T. Rex at 64″H x 41″W x 64″D and Elvis at 42″H x 24″W x 30″D — and the pieces become even more astounding.

Drywall screws, archival cardboard, and glue, when used by Fife, make sculpture with these uncommon items seem easy.

On display now through October 10th, 2009.

www.platformgallery.com

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and artist who splits their time between Oaxaca, Mexico, and Seattle, Washington. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Editor-in-Chief of International Examiner, and an Environmental Justice reporter at South Seattle Emerald. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Their latest short film, Reckless Spirits (2022), is a metaphysical, multi-lingual POC buddy comedy; the feature film version is slated for production in 2026. In 2025, they premiere their documentary short film, Hunt's Trading Post, set just outside of the Navajo and Ute Nations.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!. They have a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota and are pursuing a certificate in Incidencias en Problemas Socioambientales at the Universidad del Medio Ambiente in Mexico.

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