Madness! Source Of Yellow, Fontanelle Space Out Experimentation

MADNESS! is a recurring series of audio WTFs and head-twitching, spine-tingling experimental or chaotic fun (k-k+st-s-t+l)icks.

Fontanelle

Ever-trustworthy metal tastemakers Southern Lord Records are releasing the latest from Portland rock experimentalists Fontanelle! Their last three releases were escapades in ambient jazz-rock weirdness released on Kranky Records in the early aughts. Vitamin F, to be released on October 23rd, is a record for music nerds who love to be lost in the sounds of horns, guitars, and drums interfacing with one another in unpredictable ways. The massive lineup includes musicians such as Rex Ritter, Andy Brown, Mat Morgan, Borg Norm, Brian Foote and Paul Dickow, as well as the following guests: Gentry Densley (Eagle Twin), Steve Moore (Earth, sunn 0))), Hans Teuber, Eric Walton (Skerik), Jef Brown (Jackie O Motherfucker) and Dave Carter.

This is a record for music nerds, no doubt. Spin Magazine calls the record “it may be the most metal record to feature no actual metal on it whatsoever”, and that may actually be the most accurate possible description. You can stream “When the Fire Hits the Forest” from Vitamin F via Spin.

Says the press relase:

For this brand new recording, FONTANELLE has been trying to transport themselves back in time to 1973 into Patrick Gleeson’s Different Fur Trading Company Studio. Through the studio expertise of Randall Dunn (sunn 0))), Black Mountain, Wolves in the Throne Room), it sounds like they made it!

Rex Ritter’s tour of duty with sunn 0))) during FONTANELLE’s hiatus seems to have irreparably changed his DNA, as well as the entire band’s. Adding an amazing array of horn players, many of whom were heard on the most recent sunn 0))) LP Monoliths & Dimensions, FONTANELLE have fortified their jazz vocabulary and have conjured a burly fusion approach that has been dubbed “White Magus” – a sound sure to appeal to fans of Miles Davis (circa 1969-74), Toritse and Mahavishnu Orchestra.

 

Source Of Yellow

Twin Lakes Records have recently released a three-song EP from Brooklyn musicians Source of Yellow! On The Said, three tracks show the range of Source Of Yellow’s interests. “1 & 9” show off some indie folk twang in a minimal atmosphere and “Maybe!” meanders on in pleasantly chaotic fashion — but it is the spaced out, percussive, and just noisy-enough opening track, “The Said”, that makes me truly curious about the band’s future outputs.

In the meantime, those who are interested in art can also pick up a copy of the record, which comes with a limited edition archival print. A lucky 50 human beings will be able to own the triangular work by visual artist Pali Kashi.

 

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Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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