Terence Nance and I leapfrog through time and space. Numerous missed connections and mutual schedule misalignments occur until — two weeks later — we finally manage to get on the phone to...
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Vee Hua 華婷婷On its surface, PARASAiL-18, the 2022 full-length from experimental solo musician The Growth Eternal, comes across as a smooth, harmonious, and vocoder-laden electronic offering. Beneath its surface, however, one finds a challenging, highly-personal...
Miles GinozaJJJJJerome Ellis speaks with a stutter. He asked that his stutters be included in the transcription of this interview as a gesture towards others who speak dysfluently, so that they might see themselves recognized here. JJJJJerome Ellis stands with...
Ramona Gonzalez, better known to many by the moniker Nite Jewel, hasn’t always allowed the public into her private life. The influential Los Angeles-based electronic pop musician may have been releasing records on her own since 2008, but it is...
Space 1.8 is the highly anticipated debut album by London-based Caribbean-Belgian composer, producer, and musician Nala Sinephro. Composed after Sinephro experienced a serious health scare, the album’s warm textures and methodically slow...
Zach FrimmelThroughout Deantoni Parks’ 20-plus-year career as a prolific, experimental drummer and record producer, he has collaborated with luminaries such as Flying Lotus, Sade, and more deeply with the Velvet Underground’s John Cale and Mars Volta’s Omar...
In Los Angeles-based musician Patrick Shiroishi‘s latest music video for “To Kill a Wind-Up Bird,” excitable free jazz comes face-to-wrinkly-puppet-face with a Looney Tunes-inspired experiment, which sets skronking sounds to...
Alison SmithNo Ordinary Man, a documentary directed by Aisling Chin-Yee and Chase Joynt, returns again and again to a black-and-white photo of a man wearing a fedora, a cigarette perched between his lips. That dapper figure smirking at the camera is Billy...