When I was younger, I used to think that I'd live to like in another era, preferably one where the music was more akin to my own tastes. When I really think about it, however, a collector like me can only thrive in the digital era. Rarities are too hard to find otherwise; if there's only a bare handful of copies of a record in existence, the odds of finding it are much smaller. The internet is the great equalizer if you're looking for something obscure, as it's brought together the collectors into one community. Here's a few of my suggestions for getting your musical fix: Linda Perhacs, Charlie Christian, Earl Hines, Tampa Red, and Mississippi Fred McDowell.
See all Forgotten Gems & Dusty Classics Posts
Most of my music falls on the older side, but I think that I have fairly broad tastes in music nonetheless. Psychedelia is an area of interest for me because I like the idea of widening one's perception of reality, and I like the sense of something that's otherworldly – especially when it's not too electronic and is more on the acoustic side. This is what drew me to Linda Perhacs. Finding information on her can be difficult because she spent a great deal of time in obscurity. She became known for a single album in 1970, Parallelograms
. The album sold poorly and the record label, Kapp, didn't want to promote it, so she returned to work as a dental technician for three decades while her record became a hot collectible item, completely unbeknownst to her. She was recently rediscovered and has two additional albums waiting to be released.
Every article I can find on her compares her to Joni Mitchell, which is beyond the scope of this article. Her style isn't simple so much as stripped down to its most essential pieces. The melodies can be atonal at times, preventing the music from being too atonal, but it's never so out there that it becomes off-putting. "Dolphin," "Parallelogram" and "Moons and Cattails" are my favorite songs of hers.
Linda Perhacs - "Dolphin"
[audio:/mp3/Linda-Perhacs_Dolphin.mp3|titles=Linda Perhacs - Dolphin]
Linda Perhacs - "Moon and Cattails"
[audio:/mp3/Linda-Perhacs_Moon-And-Cattails.mp3|titles=Linda Perhacs - Moon and Cattails]
Linda Perhacs - "Parallelograms"
[audio:/mp3/Linda-Perhacs_Parallelograms.mp3|titles=Linda Perhacs - Parallelograms]
Charlie Christian (1916 – 1942)
Charlie Christian is one of the greatest guitar players jazz has produced, and to say that he is forgotten is in error. He's well-known among jazz aficionados for having played with some of the greatest musicians of his time -- but he's still relatively unknown among the public at large. He died young, from tuberculosis at the age of 25, and he never fronted a large orchestra or well-known group. However, he played a critical role in the development of bebop.
Christian grew up in Oklahoma City and made a name for himself as a local talent. He was mentioned to John Hammond, Benny Goodman's record producer and a keen talent scout, who then introduced him to Goodman. Goodman didn't care for Christian at first and tried to throw him off during their first live performance by playing a song, "Rose Room", that he thought Christian wouldn't know. Christian ended up leading the group on a forty minute rendition of the song, earning him a spot in Goodman's orchestra. While in Goodman's group, Christian often led late-night jam sessions at New York clubs. These musicians were interested in expanding jazz's musical boundaries and included Thelonious Monk, Coleman Hawkins, Charlie Parker, Don Byas and others. He died in 1942 but left behind some live recordings that show where he was headed musically.
"Rose Room," the song that earned Christian a spot in Goodman's group, is a good song to get an idea of Christian's technique. His stated goal was to play like a tenor saxophonist, and he often played in a style similar to Lester Young. "Flying Home" is another classic of the Goodman sextet and features some of Christian's best work. Finally, if you want to hear what Christian was doing to help develop bebop, listen to "Swing to Bop", where he solos for the first two minutes in a jam session at Minton's in New York.
Charlie Christian - "Flying Home"
[audio:/mp3/Charlie-Christian_Flying-Home.mp3|titles=Charlie Christian - Flying Home]
Charlie Christian - "Swing To Bop"
[audio:/mp3/Charlie-Christian_Swing-To-Bop.mp3|titles=Charlie Christian - Swing To Bop]