TBA Festival 2012: Ant Hampton & Tim Etchells – The Quiet Volume Performance Review

At the start, I am paired with a stranger. We are the only two participants for this iteration of the piece. An assistant equips each of us with headphones and an iPod Nano. We follow her up Multnomah County Central Library’s grand staircase. She motions for us to take our seats at a table in a public reading room. Before us lay twin stacks of three books: Blindness by José Saramago, The Notebook, The Proof, and The Third Lie by Agota Kristof, and When We Were Orphans by Kazuo Ishiguro.

We sit in silence for two minutes. Then a hushed voice with a British accent comes through the headphones and reveals the library to be “dedicated to the collection of sounds.”



Individual auditory aspects of our environment rise to the fore as his voice ushers each one in; the breathes and coughs, the electric hum of the room, the turning of pages, the zipping of bags. His rhythm and cadence render the ambient noise an orchestrated whole. He prompts us to observe the people around us, the texts before us, the blood in our fingers, the skin of our hands. We follow instructions to touch particular words. He takes us through miscellaneous paragraphs at varying speeds. We engage in conceptual literary battle; pressing on a page until our hands shake and fighting with voices that read against us in our ears. We hold the book upside down and try to make sense of it, remembering the overwhelming difficulty of learning how to read.

I lose my way, my mind fatigued from focusing. I get disoriented in the blur of sound happening around me mixed with the audio coming through the headphones. Are all of those pages really being turned right now or is that recorded?

I do my best to follow everything because I am accountable to my partner, responsible for his experience. We move together through the intertwining choreography of complementary instructions playing through our respective headphones. I am told to point to a word and hold my finger frozen on the page. He appears to be instructed to switch out the the book that lies below my hand. We build the experience together, each a performer and audience for the other, wavering in and out of presence and awareness, like normal life but more.

In retrospect, it is the moment after we pretended to read upside down that I keep coming back to — the part when we turned the books right-side up again and attempted to see the letters in an abstract way, not as symbols that convey meaning. It’s mysterious just how impossible it would be to divorce ourselves from the ability to understand text. Quiet Volume makes you consider how deeply ingrained the visual marks of letters are in our minds.

Multnomah County Central Library
801 SW 10th Avenue, Portland, OR 97205
$8 Members / $10 General / All Ages

Wednesday, September 12th, 11:20-7:40pm (Starts every 20 minutes.)
Thursday, September 13th, 11:20-3:40pm (Starts every 20 minutes.)
Friday, September 14th, 11:20-3:40pm (Starts every 20 minutes.)
Saturday, September 15th, 11:20-3:40pm (Starts every 20 minutes.)
Sunday, September 16th, 12:20-3:40pm (Starts every 20 minutes.)


Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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Written by Vee Hua 華婷婷
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