Alison Jean SmithFilmmaker Emin Alper, director of several award-winning drama films, cites An Enemy of the People, Henrik Ibsen’s 1882 play about a doctor’s crisis of conscience, as a chief inspiration for his narrative film Burning Days (Kurak Günler)...
Swedish director Magnus Gertten‘s stunning documentary Nelly & Nadine (2022) is bookended by a triumphant black-and-white film reel of hundreds of women with fists in the air, kissing each other’s cheeks. In 1945, they arrived in...
Mother of Color (2022), the first feature-length film from Portland-based filmmaker Dawn Jones Redstone, explores the nexus of race- and gender-based marginalization through a day-in-the-life of Noelia, played by Ana del Rocío. A second-generation...
Vee Hua 華婷婷Portland-based experimental filmmaker May Maylisa Cat has recently released two spoof movie trailers that are well-timed for the spooky fall season, but frankly, cover topics that are frightening year-round. Diversity Boss, Equity Keep, and...
Katharina BrinschwitzIn the recent past, the term “new media” has grown to encompass artists who work in any sort of digital medium. Under that blanket term, augmented reality (AR) and virtual reality (VR) have been gaining traction in many techno-social...
In 2020, following the passing of independent filmmaker Lynn Shelton (Sword of Trust, Laggies, Humpday), Duplass Brothers Productions and Seattle’s Northwest Film Forum announced the Lynn Shelton “Of a Certain Age” Grant. 2022...
Miles GinozaGrowing up, Queens-based electronic artist Urner‘s first encounters with music highlighted the range of immersive experiences one can have. From bedtime routines of falling asleep to a repeating Hindu mantra playing on cassette tape, to...
A project unlike any other, Changer: A Hand Telling, is a shapeshifter which has taken on many forms. First conceptualized by Native artists Fern Naomi Renville (Sisseton Wahpeton Oyate) and Roger Fernandes (Lower Elwha S’Klallam, Makah) as a...