Chico Fellini’s publicists compared their new self-titled disc to the music of bands like PJ Harvey, the Yeah Yeah Yeahs, The Pixies, and David Bowie. Strange as it may sound, Chico Fellini somehow really could be a hybrid of those seemingly...
On first listen, I can already picture Stencil. They’re likely a bunch of dudes, each with progressively longer beards. A couple are wearing beanies, and the rest are wearing button up shirts, with the sleeves slightly rolled up — once...
It’s impossible for me to listen to Victorian Halls without drawing some conclusions between them and one of my favorite bands, Neon Blonde — a pretty much defunct side project comprised of former Blood Brothers members, Johnny Whitney...
Recently, I was listening to a Leftover Cuties track when my mother, who barely knows anything about modern music, commented that the track was reminiscent of music from “the past.” That blanket statement that might seem rather...
Recently, essayist Eric Grubbs wrote a book entitled POST: A Book About the Influence of Post-Hardcore 1985-2008. In the book, Grubbs profiles several bands, including genre stalwarts like At the Drive-In, Jawbox, Fugazi and Sunny Day Real Estate...
Last year marked the first year in which we compiled a top five albums of the year, as deemed by nine Redefine staff writers. Remarkably, no albums were doubled up. It proved that Redefine staff writers have diverse tastes, and that their tastes run...
For fans of synthy pop-punk, The Escape Frame is immediately likeable. For me, the aforementioned subgenre is only likeable in small doses. Strangely, however, something about The Escape Frame rubbed me the right way right off the bat. Their sound...
There seems to be a folky revolution in the works. Maybe it’s always been there; it’s hard to tell for sure. But regardless, a neighborhood of Langhorne Slim, Blitzen Trapper, The Avett Brothers, etc., is suburban-sprawling like a...