Jason SimpsonWhen asked about the influence of late ’70s and early ’80s electronic music on his own record, A Period of Review, Seattle ambient pioneer and head of the Palace Of Lights label Kerry Leimer told The Ransom Note: What interests me most...
With a lead singer as versatile as Highasakite's Ingrid Helene Håvik, it's not difficult for the band to evoke landscapes as diverse as a country road, a spacey sky, or a western plain. On their debut full-length album, Silent Treatment, the...
Now that vaporwave has taken over as the cynical soundtrack for the global marketplace, new age is due for a reassessment. On I Am The Center: Private Issue New Age Music in 1950 – 1990, the wonderful Light In The Attic reissue label turns back the...
Ever wanted a female artist with awesomely soulful vocals to make cool, interesting, and meaningful music? Now you have one. On her latest EP, Saudade, Valerie Teicher, aka Tei Shi, makes an impressive debut, exposing herself musically as well as...
Troy MicheauProducer Matthew Barnes' first full-length on Tri Angle Records, Engravings, takes airy vocal samples and spaghetti western guitars and stretches them out over an expansive skyline, evoking an aerial view of monochrome industrial landscapes and...
Montreal-based indie band BRAIDS make music that one rarely encounters: music that is meant to be processed and digested, bit by bit, as opposed to gulped down in one large bite. BRAIDS' 2011 debut Nate Dpeaker was a lush, layered, complex swirl of...
Dim Past probably isn’t going to get too much DJ love for his new EP, Black Dolphin. That’s not a statement about the quality of the music therein, mind you — nor do I mean to suggest that it isn’t danceable. The thing is that this lo-fi rager...
An accomplished manipulator of the recorded aural environment, John Lemke seeks, in People Do, his debut solo album, to fuse the emotive elements from his film work with a sense of rhythm and space.