Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN 12 Collage + 14 Digital Illustration...
What is there to say about a Dan Deacon concert that hasn’t already been said? He’s probably one of the most photographed and documented live acts in recent years — and especially considering his studio albums are decent at best...
“I’ve got time to kill… like we all do,” croon Body Language, with charisma, over a whirling synthesizer. “You Can” opens their new release, entitled Social Studies, introducing an album packed full of slow jam...
Although, the sophomore album from Ganglians opens with the perplexing dedication, “This is a sad sad song for all you sad sad people,” it quickly becomes evident that the objective of the album is actually to brighten up lives with the...
The Pictureplane tour stop in Los Angeles saw him as an addition to Check Yo Ponytail 2, a recurring Tuesday night coalition of IHEARTCOMIX and The Echoplex. Word on the street was that UK’s Holy Other had to drop from the bill due to illness...
On Feathersongs For Factory Girls, Part Two, San Francisco’s Stripmall Architecture create a sonic space that is a bit disorienting. Rebecca Coseboom’s vocals swirl like a cloud of smoke while electro beats, violins, and cello induce...
Give me anything surrealistic that is remotely well-done, and I will accept! No complaints! That logic in mind, the video for When Saints Go Machine’s “Add Ends” is one I accept, without complaints. A little bit reminiscent of Tim...
I’m not soooo certain what’s going on in the intro to this video, but the rest of it somehow combines Thanksgiving and make out sessions with creeptastic puppetry ala Muppets-meets-David Cronenberg. This weirdness kind of speaks for...