A lot of bands today seem to like going for ironically harsh-sounding names and album titles; punching against the hipster grain is Kill To Kill, whose Fighter EP sounds a lot like a parking lot brawl after a hardcore show. Listen to “Radical...
The musical jump between Crime In Stereo’s past two albums, The Troubled Stateside and Is Dead, is nothing less than fantastic. The Long Island outfit went from a pretty standard melodic hardcore sound to a more challenging post-hardcore sound...
"We aren't just another band, tritely speaking of our own personal struggle and how fucking hardcore we are. I'm done with that." -- Jay Maas
Reviewing a Converge album is kind of odd. Whereas I’ve always kind of liked the band, I’ve never even begun to understand the insane amount of adulation their fans and most critics bestow upon them. I quite literally know people that...
“Seethe” is my favorite adjective when it comes to describing hardcore. To seethe is to become violently agitated and excited. Not merely agitated, but violently agitated. Belgium’s Rise And Fall are seething on their new album...
Earlier this year, I had the luxury of catching a post-SxSW party at Beerland in Austin. Starting at around noon, the show featured a host of bands that are pretty sonically divergent but tread in similar social footsteps, if you will — such...
I will hide nothing about the fact that I think anything and everything having to do with Converge makes any hardcore/metal album instantly better. So, the triple whammy of Converge-ness that the second full-length Doomriders dishes out Darkness...
Earlier this year I got turned onto a doom metal band from England called the Fall of Efrafa. Efrafa, for those that don’t know, is the name of the warren in the classic tale of rabbit violence “Watership Down”. The Fall of Efrafa...