In Los Angeles-based musician Patrick Shiroishi‘s latest music video for “To Kill a Wind-Up Bird,” excitable free jazz comes face-to-wrinkly-puppet-face with a Looney Tunes-inspired experiment, which sets skronking sounds to...
No Ordinary Man, a documentary directed by Aisling Chin-Yee and Chase Joynt, returns again and again to a black-and-white photo of a man wearing a fedora, a cigarette perched between his lips. That dapper figure smirking at the camera is Billy...
For the past year, I have had a series of insightful conversations with Los Angeles-based visual artist and poet Emmanuel Whyte about art practice, travel as study, and about a series of his paintings. Most recently, about a series of paintings in...
Music preservation efforts go beyond strictly archival functions. They challenge our understanding of certain genres that have been historically associated with just a few major cities. For individual musicians who have never profited from their...
On March 15, 2015, the Washington Post published a typically buzzworthy article titled, “Is the Internet Giving Us All ADHD?”. The article begins with the usual litany of start-of-days, most likely familiar to anyone who works at a desk...
Amassing rare and forgotten music is a peculiar sort of hobby — one that slowly transforms into an addiction. It’s not that I don’t love mainstream music. It’s just that the thrill of listening to some forgotten gem that...
Everything you need to know about GRAMMIES’ new record GREAT SOUNDING can be found in its gloriously stupid title. The album constantly inverts itself, offering up increasingly next level instrumentation, song craft and emotional depth to an altar...
My Brightest Diamond & Goapele Live Show Reviews: Twin Nights of Powerful Females at Doug Fir Lounge
This week, I found myself at Portland’s Doug Fir Lounge three days in a near row. While it is perhaps my second must frequented venue after Holocene, rarely do I have the chance to go so many times in one week, and to observe such varying acts...