Vee Hua 華婷婷“By courageously looking, we defiantly declared: ‘Not only will I stare. I want my look to change reality.'” – bell hooks Launched in February 2021, Our Right to Gaze: Black Film Identities is a short film distribution and...
Hailing itself as Slamdance Film Festival’s “largest and most accessible festival yet,” Slamdance 2021 runs virtually from February 12th through 15th, and can be accessed with an impressively cheap $10 festival pass. With its long...
Alison Jean SmithIn her 2021 documentary, Film About a Father Who, filmmaker Lynne Sachs recalls how her dad, Ira Sachs, owned two identical red Cadillacs that he swapped out for each other, never letting his family in on his con. While benign, this secret was the...
In Through the Night, a lovely new documentary by first-time director Loira Limbal, daycare owner Nunu coaxes an anxious young boy to put aside his electronic tablet and be more present with the other kids. With a rueful laugh, she asks...
In Coded Bias, a new documentary about Big Tech’s infiltration into every corner of our lives, MIT Media Lab algorithms scholar and digital activist Joy Buolamwini makes a bold claim: “The progress of civil rights could be rolled back...
Two months following the tragic and unexpected passing of independent filmmaker Lynn Shelton — known for such films as Sword of Trust (2019), Laggies (2014), and Humpday (2009) — Duplass Brothers Productions and Seattle’s Northwest...
John Lewis gets stopped in airports. A lot. In John Lewis: Good Trouble, a new documentary by director Dawn Porter, there’s a scene where we follow Lewis through an airport terminal as strangers approach him to call him a hero and an inspiration...
When filmmaker Matt Wolf (Recorder, Wild Combination) first saw photos of eight scientists dressed in red jumpsuits and standing beside a glass pyramid in the Arizona desert, he assumed they were characters from a sci-fi movie. He soon discovered...