Khu.éex’ (pronounced koo-eek; “potlatch” in Tlingit) is a 10-piece intergenerational band whose musical style is fluid, with improvisational prowess that allows them to span genres as wide-ranging as funk and hip-hop to jazz and...
Filmmaker Emin Alper, director of several award-winning drama films, cites An Enemy of the People, Henrik Ibsen’s 1882 play about a doctor’s crisis of conscience, as a chief inspiration for his narrative film Burning Days (Kurak Günler)...
Swedish director Magnus Gertten‘s stunning documentary Nelly & Nadine (2022) is bookended by a triumphant black-and-white film reel of hundreds of women with fists in the air, kissing each other’s cheeks. In 1945, they arrived in...
Portland-based experimental filmmaker May Maylisa Cat has recently released two spoof movie trailers that are well-timed for the spooky fall season, but frankly, cover topics that are frightening year-round. Diversity Boss, Equity Keep, and...
When documentary filmmaker Tzewoon Chan began making his genre-bending film Blue Island 憂鬱之島 (2022) in 2017, Hong Kong was between social movements. Coming out of a previous project, Yellowing (2016), which explored the explosive 2014 pro-democracy...
When it comes to the current state of identity politics, Belgian musicians Charlotte Adigéry and Bolis Pupul check a lot of boxes of diversity and representation. Both have immigrant backgrounds — with Adigéry being of Guadeloupean and French...
Arami Ullón Interview: Nothing But the Sun Chronicles Colonization’s Damage to the Indigenous Ayoreo
Nothing But the Sun (2020), a searing documentary from Paraguayan-Swiss filmmaker Arami Ullón, explores the plight of the Ayoreo, an Indigenous group living with the aftermath of colonization. Translated from its Spanish title, Apenas el Sol, the...
Almost immediately after I conclude my interview with Seattle R&B singer Olivia Thomas — who goes by the name LIVt — a crew of people flood into the small basement green room at Barboza. They’re members of the opening bands...
