Slamdance 2022 returns virtually for yet another year in 2022, with access to over 100 films for only $10! Streaming from January 27 to February 6, the 28th edition of the festival yet again commits to supporting independent, emerging artists. In...
Early on in Beans— a coming-of-age film written and directed by Quebec-based Mohawk filmmaker Tracey Deer — a teenage girl and her mom shimmy under their seatbelts and sing along to Snap!’s “The Power” on their way to a...
Dos Santos Band Interview: City of Mirrors Dynamically Reflects U.S. Latin American Musical Identity
On City of Mirrors, the fourth full-length record from Chicago’s Dos Santos, the five-piece band once again showcases their musical expertise by presenting a rich, multicultural melting pot of sounds. Coming from wide-ranging diasporic...
Building off a longstanding friendship, Portland-based queer, nonbinary musician Jan Julius and Baltimore-based animator Nick McKernan explore their second collaboration together with the textural, collage-heavy music video for “Manor Holes...
Photo courtesy of PO Box Collective in Chicago Located in major cities, rural areas, and all types of geographies in-between, DIY (Do-It-Yourself) organizers, collectives, and cultural spaces can encompass everything from music venues in dilapidated...
Early on in What We Left Unfinished, a new documentary from filmmaker and visual artist Mariam Ghani, a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion...
A heavy cut of fresh meat hangs suspended over the abdomen, the artist’s own body bare against the blue cold of a wall. Her abrupt movements cause ripples in the flesh of the meat. From where the viewer sits, the female body, nearly...
From 1960 to 1971, the FBI's Counterintelligence Program (COINTELPRO), collected files on more than 250 African American writers, artists, politicians, and activists who they perceived as domestic threats. Among the non-consensual participants of...
