Jesse C. Dienner"Art will last forever; it doesn't die with us, and music doesn't die with us. It has a magic to it that I love, and creating something that way makes me feel that life doesn't just slip through my fingers... and that it is not just day after day."
So, Bright Eyes. It’s come to this. That The People’s Key came out somewhat overcooked in the studio cannot come as a shock to most long-time fans of Bright Eyes. Each subsequent album after Fevers And Mirrors (with the exception of...
Vee Hua 華婷婷This mixtape – the last in a series of three centered around Icelandic music – focuses on singer-songwriters and solo musicians, and explores just how far one person’s creativity can be stretched.
To use the word “unusual” to describe the performance February 19th, at the Merkin Concert Hall in NYC, is an understatement. As part of the Ecstatic Music Festival taking place from Jan-March 2011 in NYC, Roomful Of Teeth performed...
A lot of barbs were thrown at James Blake on the run-up to his debut LP. Music critic Simon Reynolds playfully referred to Blake and his fellow soulboy bass-heads (i.e. Mount Kimbie, Jamie Woon) as ‘blubstep.’ A poster on a music forum...
Ambient bedroom pop pioneer Matt Mondanile, aka Ducktails, manages to break into untapped psych-pop territory on his new album, while appeasing those who long for his forgotten demo cassettes. And while Ducktails III: Arcade Dynamics takes an...
Keith Canisius’ latest album, This Time It’s Our High, starts off as an annoying reminder as to just how much excellent music exists which you will probably never, ever hear about. The burden is almost crippling. At some point, though...
With overdubs reminiscent of Imogen Heap, “All The Way” by Nightlands seems like a musical collage — layers and layers of the phrase, “All the way,” work with occasional sprinklings of notes. The video is similarly a...