BLOOD OF A POET, (aka GLASS LIPS), 2007. ©Vivarto

Glass Lips – Blood Of A Poet (2007) Film Review

BLOOD OF A POET, (aka GLASS LIPS), 2007. ©Vivarto

Glass Lips (English translation), or Blood Of A Poet (literal translation), is Lech Majewski’s latest offering for the year 2007. Perhaps it is because I watched Glass Lips back to back with another Majewski film, Roe’s Room, but I found the entire viewing of Glass Lips to be quite painful. I’d been torn in a way that I have never been torn with a movie — the subject matter was interesting enough to make me want to continue watching, but every scene began painfully, with lots of slow panning and shots that seemed to hold no value. Visually, the film provides some well-shot scenes that make watching it at least somewhat entertaining, but the scenes more so slowly that they’d might as well be photographs.

Surprisingly, however, the fact that the film has no dialogue whatsoever is not actually a pitfall. Majewski succeeds in that you can understand emotions and some thoughts of the characters without a word being spoken. On the flip side, however, the characters are? one-dimensional. This is not due to the fact that they don’t speak, however; it is due tot he fact that they are all mostly somber and rather twisted. They don’t really have a ‘normal’ bone in their bodies.

Glass Lips is comprised of a series of shots that tell three separate storylines that are somewhat interwoven. The two main characters are a father and his son, and the mother plays a cursory role. In the beginning of the film, we see the son — who later becomes admitted in a mental institution — being tortured by his parents for misbehaving. Instead of getting a whipping after spilling liquid at the dinner table, he has a belt tied around his neck and is forced to drink his soup like a dog. We later see that the dad is dysfunctional himself, and tortures himself in the same ways that he had once tortured his son. It seems that he is conflicted and feels responsible about the way his son turns out. In the mental institution, the son is actually the most misbehaved of all, and one underlying focus of the movie is on the sexual perversion of each of the characters.

I wish that a focus on strange behaviors alone would be able to save this movie from being a bit tiresome, but simply throwing in a slew of characters who are in a mental institution does not propel this movie to new proportions. In some ways, however, the film is worth watching; it is clear that Majewski has a keen eye for art direction.

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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15 years ago

Still seems interesting enough to watch besides the minor problems mentioned. Where can i get a hold of that?

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Written by Vee Hua 華婷婷
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