DeVries’ Death To God might be titled like a metalhead’s dream, but nothing can be further from its reality. Beginning with a thirty-second ambient intro track, Death To God then explodes into the immediately engaging “Boys Are...
While it would be nice to read a piece on Shrinebuilder without the use of the word supergroup, there is no getting around it. Shrinebuilder is most definitely a supergroup, comprised of Wino Weinrich on guitar (St. Vitus), Al Cisneros on bass (Om...
Animal Collective have just released a five-song EP entitled Fall Be Kind on the heels of their unbelievable smash, Merriweather Post Pavilion. Merriweather was a true rock n’ roll landmark. Catchy vocals atop electronic cacophony set a new...
Reviewing a Converge album is kind of odd. Whereas I’ve always kind of liked the band, I’ve never even begun to understand the insane amount of adulation their fans and most critics bestow upon them. I quite literally know people that...
There is something going on in Motion Turns It On’s album Kaleidoscopic Equinox. There is a lot going on. And sometimes it is almost too much to take in at once. The trio take the idea of the instrumental post-rock genre and put it on the...
What would happen if Forever The Sickest Kids, Cartel, and A Thorn For Every Heart had a baby? They would name it And Then There Was You. As suggested by the lame birth metaphor, the pop-punk quartet from South Florida has found itself in an...
“Seethe” is my favorite adjective when it comes to describing hardcore. To seethe is to become violently agitated and excited. Not merely agitated, but violently agitated. Belgium’s Rise And Fall are seething on their new album...
“It’s the first day of spring/ And my life is starting over again,” sings Charles Fink in the title opener of The First Days Of Spring, maybe setting up an optimistic mood for the rest of the album if it weren’t for the...