Jason SimpsonEvery record is an island. An artist’s statements shouldn’t always be judged on trends, the label they’re on, or what other people are doing. Perhaps they shouldn’t even be judged against that artist’s own work...
"The urge to reinvent myself is strong, and the big question after London Zoo was, 'Do I want to break away totally from my past, and the albatross of the 'dubstep' label...?' The more I thought about it, the more I realised I had the most respect...
Vee Hua 華婷婷An I Origins film review and interview with director Mike Cahill, intertwined with personal anecdotes and musings on past lives, coincidence, and the ability of art to attract like-minded individuals across distances.
Like a subtle play off its name, dichotomies are rich within True False, a series of photographic works by Brooklyn-based artist Brian Vu. It's a confusing series, to be sure; first glances and even repeat glances make one question why each of its...
“We were... thinking about the ‘undifferentiated unconscious’ – something which manifests itself in any work and gives you this overwhelming sensation of eternal space being reconstituted. This quality, however you want to describe it, is something...
When asked about the influence of late ’70s and early ’80s electronic music on his own record, A Period of Review, Seattle ambient pioneer and head of the Palace Of Lights label Kerry Leimer told The Ransom Note: What interests me most...
Liars’ 2012 full-length, WIXIW, dwelled in doubt and anxiety, pressed against a curtain of murky fragility. Even if one only looks at the cover art for the band’s latest follow-up, Mess — a robust mass of multihued string that looks like the Love...
"It reminds me a little bit of my inner world when I’m writing music, where I feel... a kind of loneliness, a kind of melancholy, a kind of sadness. At the same time, I feel hope... I felt that this was kind of a very nice metaphor for this kind of...