Seattle writer and director Wes Hurley’s feature debut, Potato Dreams, is at once a colorful pastiche of past memories and an unconventional queer coming-of-age tale. Premiering at
Hailing itself as Slamdance Film Festival’s “largest and most accessible festival yet,” Slamdance 2021 runs virtually from February 12th through 15th, and can be accessed with an impressively cheap $10 festival pass. With its long...
In her 2021 documentary, Film About a Father Who, filmmaker Lynne Sachs recalls how her dad, Ira Sachs, owned two identical red Cadillacs that he swapped out for each other, never letting his family in on his con. While benign, this secret was the...
Written and compiled by Brooklyn-based artist, sound healing therapist, and meditation teacher Lavender Suarez, Transcendent Waves is a delightfully experimental new book which pays homage to the creative power of deep listening and the potential...
We’ve finally made it to the bitter end of 2020, and believe it or not, human beings are still making amazing art in the midst of crisis and a pandemic. After a five-year hiatus, our Album Covers of the Year feature is back with a deep dive of...
In Coded Bias, a new documentary about Big Tech’s infiltration into every corner of our lives, MIT Media Lab algorithms scholar and digital activist Joy Buolamwini makes a bold claim: “The progress of civil rights could be rolled back...
Doubling as the dreamy, psychedel-ish music outfit Tan Cologne and the mysterious arts platform Psychic Sink, experimental musician Lauren Green and multi-hyphenate-creator Marissa Macias are incredibly generative collaborators. In 2014 and 2015...
For the past year, I have had a series of insightful conversations with Los Angeles-based visual artist and poet Emmanuel Whyte about art practice, travel as study, and about a series of his paintings. Most recently, about a series of paintings in...